Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Cm7, Ab/C, Bb/C, Ab, F/A, Ab/Bb, Fm7, Eb … Easy key G
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap you hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Eb Bb Cm7
Music never lets you down
Fm7 Fm7
Puts a smile on your face any time, any place
Eb Bb Cm7
Dancing helps relieve the pain
Fm7 Fm7
Soothes your mind, makes you happy again
Eb Bb Cm7
Listen to those dancing feet
Fm7 Fm7
Close your eyes and let go
Eb Bb Cm7
But it don't mean
A thing if it ain't got that swing
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap you hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Eb Bb Cm7
Spinning all around the floor just
like Rogers and Astaire
Fm7 Fm7
Who found love without a care
stepping to our favorite tune
Eb Bb Cm7
The good times always end too soon
Fm7 Fm7
Everybody's dancing lift your feet, have some fun
Eb Bb Cm7
Come on everybody, get on your feet
Fm7 Fm7
Clap your hands everybody's screaming
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap you hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap you hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap your hands
Cm7 Ab/C Bb/C
Everybody dance, do do do
Ab F/A Ab/Bb
Clap your hands, clap you hands
End of song Play again?
Harmony analysis
The song opens on Cm7 and ends on Ab/Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 25 times against 7 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 7× |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 12× |
| V/V | F/A | Secondary dominant V/V — leads to Bbsecondary dominant | F · A · C | 18× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab/C | Subdominant — moves away from home | Ab · C · Eb | 18× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 18× |
| IV | Ab/Bb | Subdominant — moves away from home | Ab · C · Eb | 18× |
| V | Bb/C | Dominant — strongest pull home | Bb · D · F | 18× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 7× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 25× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 25× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 7× |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 12× |
| IV | F/A | Major IV — Dorian / melodic-minor colourmodal colour | F · A · C | 18× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab/C | Submediant — warm colour | Ab · C · Eb | 18× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 18× |
| VI | Ab/Bb | Submediant — warm colour | Ab · C · Eb | 18× |
| VII | Bb/C | Subtonic — steps back to the tonic | Bb · D · F | 18× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 7× |
The key pair is Eb major and its relative C minor (3 flats). 9 different chords appear 141 times in total; 8 of them sit naturally inside the shared scale. F/A acts as a secondary dominant, briefly pointing at another chord of the key.
The move to watch is Ab/C → Bb/C, heard 18 times. From the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Cm7; the ear learns where home is within a second. Cm7, Ab/C, Bb/C, Ab carry the song: vi7–IV–V–IV relative to Eb, i7–VI–VII–VI relative to Cm. F/A adds a moment of surprise: secondary dominant V/V — leads to Bb. Keep an ear on Ab/C → Bb/C (IV → V in Eb, VI → VII in Cm): VI → VII — the rising step that heads for the tonic. Ending on Ab/Bb, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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