Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Cm, Gm, Bb, Eb, Ab, Fm, F Easy key C (capo 3)
Cm Eb Bb Fm
Cm Eb
Boys, they're handsome and strong
Bb F
But always the first to tell me I'm wrong
Cm Eb
Boys try to tame me, I know
Bb F
They tell me I'm weird and won't let it go
Cm Eb
No, I'm fine, I'm lying on the floor again
Gm Bb Ab
Cracked door, I always want to let you in
Cm Bb
Even after all of the shit, I'm resilient
Ab Cm
'Cause a princess doesn't cry (no oh)
Gm Bb
A princess doesn't cry (no oh, oh)
Ab
Over monsters in the night
Cm
Don't waste our precious time
Gm
On boys with pretty eyes
Ab Cm
A princess doesn't cry (no oh)
Gm Bb
A princess doesn't cry (no oh, oh)
Ab
Burning like a fire
Cm
You feel it all inside
Bb
But wipe your teary eyes
Cm
'Cause princesses don't cry
Eb Gm
Don't cry, don't cry, oh
Fm
Don't cry
Don't cry, oh
Cm Eb Gm Fm
Don't cry, don't cry, don't cry, oh
Cm
'Cause princesses don't cry
Eb Bb
Girls, so pretty and poised and soft to the touch
F Cm
But God made me rough
b Bb
Girls, so heavy the crown, they carry it tall
F
But it's weighing me down
Cm Eb
No, I'm fine, I'm lying on the floor again
Gm Bb Ab Cm
Cracked door, you're only gonna let them in once
Bb
And you won't come undone
Ab Cm
'Cause a princess doesn't cry (no oh)
Gm Bb
A princess doesn't cry (no oh, oh)
Ab
Over monsters in the night
Cm
Don't waste our precious time
Gm
On boys with pretty eyes
Ab Cm
A princess doesn't cry (no oh)
Gm Bb
A princess doesn't cry (no oh, oh)
Ab
Burning like a fire
Cm
You feel it all inside
Bb
But wipe your teary eyes
Cm
'Cause princesses don't cry
Eb Gm
Don't cry, don't cry, oh
Fm
Don't cry
Don't cry, oh
Cm Eb Gm Fm
Don't cry, don't cry, don't cry, oh
Cm
'Cause princesses don't cry
Cm Eb
I'm fine, I won't waste my time
Gm Fm
Keep it in a jar, and we'll leave it for the next one
Cm Eb
Yeah, I'm fine, I won't waste my time
Gm Fm
Keep it in a jar, and we'll leave it for the next one
Eb Gm
Yeah, I'm fine, I'm lying on the floor again
End of song Play again?
Harmony analysis
The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 24 times against 13 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 13× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 7× |
| V/V | F | Secondary dominant V/V — leads to Bbsecondary dominant | F · A · C | 4× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 15× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 10× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 14× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 24× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 24× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 13× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 7× |
| IV | F | Major IV — Dorian / melodic-minor colourmodal colour | F · A · C | 4× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 15× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 10× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 14× |
The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 87 times in total; 6 of them sit naturally inside the shared scale. F acts as a secondary dominant, briefly pointing at another chord of the key.
The move to watch is Ab → Cm, heard 10 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Cm lays a solid floor for everything that follows. Cm, Gm, Bb, Eb carry the song: vi–iii–V–I relative to Eb, i–v–VII–III relative to Cm. F adds a moment of surprise: secondary dominant V/V — leads to Bb. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. The final chord is Gm; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.
We use cookies to provide you with the best experience on our website. For more information, please review our privacy policy.