Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Ab, Cm, Eb, Gm Easy key G
Eb Cm Eb Ab Ab Gm
We are, we are, we are
Cm Eb
L.A. on a Saturday night in the summer
Ab
Sundown and they all come out
Lamborginis and their rented Hummers
Gm Cm
The party's on, so they're headin' downtown
Eb
Everybody's lookin' for a come up
Ab
And they wanna know what you're about
Me in the middle with the one I'm lovin'
Gm Cm
We're just tryna figure everything out
Cm Eb
We don't fit in well 'cause we are just ourselves
Ab Gm
I could use some help gettin' out of this conversation, yeah
Cm Eb
You look stunning, dear, so don't ask that question here
Ab
This is my only fear, that we become
Cm
Beautiful people
Drop top, designer clothes
Eb
Front row at fashion shows
Ab
"What d'you do?" and "Who d'you know?"
Gm Cm
Inside the world of beautiful people
Champagne and rolled-up notes
Eb
Prenups and broken homes
Ab
Surrounded, but still alone
Gm
Let's leave the party
Cm Eb
That's not who we are (We are, we are, we are)
Ab Ab Gm
We are not beautiful
Cm Eb
Yeah, that's not who we are (We are, we are, we are)
Ab Ab Gm
We are not beautiful
Cm Eb Ab
L.A., mmm, drove for hours last night and we made it nowhere
Gm Cm
I see stars in your eyes when we're halfway there (All night)
Eb Ab
I'm not fazed by all them lights and flashin' cameras
Gm Cm
'Cause with my arms around you, there's no need to care
Cm Eb
We don't fit in well 'cause we are just ourselves
Ab Gm
I could use some help gettin' out of this conversation, yeah
Cm Eb
You look stunning, dear, so don't ask that question here
Ab
This is my only fear, that we become
Cm
Beautiful people
Drop top, designer clothes
Eb
Front row at fashion shows
Ab
"What d'you do?" and "Who d'you know?"
Gm Cm
Inside the world of beautiful people
Champagne and rolled-up notes
Eb
Prenups and broken homes
Ab
Surrounded, but still alone
Gm
Let's leave the party
Cm Eb
That's not who we are (We are, we are, we are)
Ab Ab Gm
We are not beautiful
Cm Eb
Yeah, that's not who we are (We are, we are, we are)
Ab Ab Gm
We are not beautiful
Cm Eb
We are, we are, we are
Ab
We are not beautiful
End of song Play again?
Harmony analysis
The song opens on Eb and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor because it opens on Eb and Cm is heard 20 times against 19 for Eb. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 19× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 15× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 23× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 20× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 20× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 19× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 15× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 23× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 77 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gm → Cm, heard 15 times. From the Eb side it reads iii → vi; from the Cm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Eb; the ear learns where home is within a second. Ab, Cm, Eb, Gm carry the song: IV–vi–I–iii relative to Eb, VI–i–III–v relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. It closes on Ab, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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