Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Ab, Eb, Fm, Bb, Cm, Gm Easy key G
Cm Eb
She said I feel stranded
Fm
And I can't tell anymore
Ab Cm
If I'm coming or I'm going
Eb
It's not how I planned it
Fm
I got a key to the door
Ab
But it just won't open
Bb
I know, I know, I know
Fm
Part of me says let it go
Ab
That life happens for a reason
Bb
I don't, I don't, I don't
Fm
'Cause I never went before
Ab
But this time, this time,
Ab Eb
I'm gonna try anything to just feel better
Eb Bb
Tell me what to do
Fm
You know I can't see through the haze around me
Ab Eb
And I'll do anything to just feel better
Bb
And I can't find my way
Fm
God, I need a change
Ab
And I'll do anything to just feel better
Ab Cm
Any little thing to just feel better
Cm Eb
She said I need you to hold me
Fm
I'm a little far from the shore
Ab Cm
And I'm afraid of sinking
Eb
You're the only one who knows me
Fm
And who doesn't ignore
Ab
That my soul is weeping
Bb
I know I know I know
Fm
Part of me says let it go
Ab
Everything must have it's season
Bb
'Round, and 'round it goes
Fm
And every day's the one before
Ab
But this time, this time
Ab Eb
I'm gonna try anything to just feel better
Eb Bb
Tell me what to do
Fm
You know I can't see through the haze around me
Ab Eb
And I'll do anything to just feel better
Bb
And I can't find my way
Fm
God, I need a change
Ab
And I'll do anything to just feel better
Ab Gm
Any little thing to just feel better
Ab
I'm tired of holding on
Eb Bb Gm
To all the things I'll leave behind
Ab
It's really getting lonely
Eb Ab
I think I need a little help this time
Eb Bb Fm Ab Eb Bb Fm Ab
Eb
I'm gonna try anything to just feel better
Bb
Tell me what to do
Fm
You know I can't see through the haze around me
Ab Eb
And I'll do anything to just feel better
Bb
And I can't find my way
Fm
God, I need a change
Ab
And I'll do anything to just feel better
Ab Cm
Any little thing to just feel better
End of song Play again?
Harmony analysis
The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Eb is heard 16 times against 6 for Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 16× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 16× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 2× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 24× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 13× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 6× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 6× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 16× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 16× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 2× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 24× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 13× |
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 77 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab → Eb, heard 10 times. From the Cm side it is VI → III; from the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Cm lays a solid floor for everything that follows. The backbone is Ab, Eb, Fm, Bb — IV–I–ii–V from the Eb side, VI–III–iv–VII from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. It closes on Cm, letting the Cm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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