Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Eb, Bb, Ab, Cm7, Gm Easy key G
Eb Gm Cm7 Bb
Eb Gm Cm7 Bb
When you try your best but you don't succeed
Eb Gm Cm7 Bb
When you get what you want, but not what you need
Eb Gm Cm7 Bb
When you feel so tired, but you can't sleep
Eb Gm Cm7 Bb
Stuck in reverse
Eb Gm Cm7 Bb
And the tears come streaming down your face
Eb Gm Cm7 Bb
When you lose something you can't replace
Eb Gm Cm7 Bb
When you love someone but it goes to waste
Eb Gm Cm7 Bb Ab
Could it be worse
Ab Eb Bb Ab
Lights will guide you home
Ab Eb Bb Ab
And ignite your bones
Ab Eb Bb
And I will try to fix you
Eb Gm Cm7 Bb
Eb Gm Cm7 Bb
High up above or down below
Eb Gm Cm7 Bb
When you're too in love to let it go
Eb Gm Cm7 Bb
But if you never try you'll never know
Eb Gm Cm7 Bb Ab
Just what you're worth
Ab Eb Bb Ab
Lights will guide you home
Ab Eb Bb Ab
And ignite your bones
Ab Eb Bb
And I will try to fix you
Eb Ab Eb Bb
Eb Ab
Tears stream, down your face
Eb Bb
When you lose something you cannot replace
Cm7 Ab Eb Bb
Tears stream, down your face and I (hold)
Eb Ab
Tears stream, down your face
Eb Bb
I promise you I will learn from my mistakes
Cm7 Ab Eb Bb
Tears stream, down your face and I (hold)
Ab Eb Bb Ab
Lights will guide you home
Ab Eb Bb Ab
And ignite your bones
Ab Eb Bb Eb
And I will try to fix you
End of song Play again?
Harmony analysis
The song opens on Eb and ends on Eb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb major side because it both starts and finishes on Eb and Eb is heard 32 times against 16 for Cm. That is an interpretation, not a rule — hearing the same chords from C minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 32× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 14× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 22× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 28× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 16× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 16× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 32× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 14× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 22× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 28× |
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 112 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Bb → Eb, heard 17 times. From the Eb side it reads V → I (authentic cadence: the strongest arrival home); from the Cm side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Eb; the ear learns where home is within a second. The chords that keep coming back are Eb, Bb, Ab, Cm7; read them as I–V–IV–vi7 in Eb or III–VII–VI–i7 in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Eb (V → I in Eb, VII → III in Cm): authentic cadence — the strongest arrival home. It closes on Eb, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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