Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords G, D, C, Em, F Difficulty already in its easiest key
G D Em C
G
Fixing up a car to drive in it again
D
Searching for the water, hoping for the rain
Em C
Up and up, Up and up
G
Down upon a canvas, working meal to meal
D
Waiting for a chance to pick your orange field
Em C
Up and up, Up and up
G
See a pearl form, a diamond in the rough
D
See a bird soaring high above the flood
Em C
It's in your blood, it's in your blood
G
Underneath the storm an umbrella is saying
D
Sitting with the poison takes away the pain
Em C
Up and up, Up and up
G
We’re gonna get it, get it together
D
Right now we’re gonna get it, get it together
F C
Somehow, gonna get it, get it together and flower
G
We’re gonna get it, get it together
D
I know, we’re gonna get it, get it together
F C
And flow, we’re gonna get it, get it together and go
G
Up, and up, and up
G D Em C
G
Lying in the gutter, aiming for the moon
D
Trying to empty out the ocean with a spoon
Em C
Up and up, Up and up
G
How come people suffer? How come people part?
D
How come people struggle? How come people
Em C
Break your heart? Break your heart?
G
Yes I wanna grow, yes I want to feel
D
Yes I wanna know, show me how to
Em C
Heal it up, heal it up
G
Try and see the forest, there in every seed
D
Angels in the marble waiting to be freed
Em C
Just need love, Just need love, when the going is rough, saying
G
We’re gonna get it, get it together
D
Right now we’re gonna get it, get it together
F C
Somehow, gonna get it, get it together and flower
G
We’re gonna get it, get it together
D
I know, we’re gonna get it, get it together
F C
And flow, we’re gonna get it, get it together and go
G D
Cause you can say what is, or fight for it
Em C
Close your mind and take a risk
G D
You can say it’s mine and clench your fist
Em C
Or see each sunrise as a gift
G D F C
G
We’re gonna get it, get it together
D
Right now we’re gonna get it, get it together
F C
Somehow, gonna get it, get it together and flower
G
We’re gonna get it, get it together
D
I know, we’re gonna get it, get it together
F C
And flow, we’re gonna get it, get it together and go
G
Up, and up, and up
G
We’re gonna get it, get it together
D
Right now we’re gonna get it, get it together
F C
Somehow, gonna get it, get it together and flower
G
We’re gonna get it, get it together
D
I know, we’re gonna get it, get it together
F C
And flow, we’re gonna get it, get it together and go
G
Up, and up, and up
G D F C
G D Em C
G
Fixing up a car to drive in it again
D Em
When you’re in pain, when you think you’ve had enough
C
Don’t ever give up
G D Em C
Don't ever give up, just believe in love
End of song Play again?
Harmony analysis
The song opens on G and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it opens on G and G is heard 28 times against 15 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 28× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 25× |
| V | D | Dominant — strongest pull home | D · F# · A | 25× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 15× |
| bVII | F | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | F · A · C | 10× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 15× |
| bII | F | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | F · A · C | 10× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 28× |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 25× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 25× |
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 103 times in total; 4 of them sit naturally inside the shared scale. F is borrowed from the parallel minor, adding a darker shade to the major side.
The move to watch is C → G, heard 24 times. From the G side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Em side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
Starting on G, the song gives away its key from the very first bar. G, D, C, Em carry the song: I–V–IV–vi relative to G, III–VII–VI–i relative to Em. F briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. Ending on C, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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