Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords G, D, Em, C, Am, Bm Difficulty already in its easiest key
G Em
I don't really give a damn about the way you touch me when we're alone
C D
You can hold my hand if no one's home
G Em
Do you like it when I'm away?
C D
If I went and hurt my body, baby, would you love me the same?
G Em
I can feel all my bones coming back and I'm craving motion
C D
Mama never really learned how to live by herself
G Em C D
It's a curse and it's growing; you're a pond and I'm an ocean
G Em C D G
All my emotions feel like explosions when you are around
Em C D
And I've found a way to kill the sound
G Em C
Oh, baby, I am a wreck when I'm without you
D G
I need you here to stay
Em C
I broke all my bones that day I found you
D G
Crying at the lake
Em C D
Was it something I said to make you feel like you're a burden?
G Em C D G Em C
Oh, and if I could take it all back I swear that I would pull you from the tide
D G
Oh woah woah woah I said no
Em
I said no
C D
Listen close: it's a no
G Em
The wind is a'poundin' on my back
C D
And I've found hope in a heart attack
G Em
Oh, at last it is passed
C D
Now I've got it and you can't have it
G Em C
Oh, baby, I am a wreck when I'm without you
D G
I need you here to stay
Em C
I broke all my bones that day I found you
D G
Crying at the lake
Em C D
Was it something I said to make you feel like you're a burden?
G Em C D
Oh, and if I could take it all back I swear that I would pull you from the
Am G Bm Am G Bm
Tiiiiiide, oh oh oh oh oh oh oh oh oh
Am G Bm Am G Bm
Darlin, when I'm fast asleep I've seen this person watching me sayin,
Am G Bm Am D G Em C D
"Is it worth it? Is it worth it? Tell me is it worth it?"
G Em C D G Em
Oooohhhhhhhhh, cause there is something and there is nothing
C D
There is nothing in between
G Em C D
And, in my eyes, there is a tiny dancer watching over me
G Em C D
He's singin' "she's a, she's a lady" and I am just a boy
G Em C D
He's singing "she's a, she's a lady" and I am just a line without a (hook)
G Em C
Oh, baby, I am a wreck when I'm without you
D G
I need you here to stay
Em C
I broke all my bones that day I found you
D G
Crying at the lake
Em C D
Was it something I said to make you feel like you're a burden?
G Em C D G
Oh, and if I could take it all back I swear that I would pull you from the tide
End of song Play again?
Harmony analysis
The song opens on G and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| bii | Em | Chromatic colour chordoutside the key | E · G · B | 28× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | 34× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| #iv | Am | Chromatic colour chordoutside the key | A · C · E | 6× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| bvi | Bm | Chromatic colour chordoutside the key | B · D · F# | 5× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| VI | C | Chromatic colour chordoutside the key | C · E · G | 28× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| V/iii | D | Secondary dominant V/iii — leads to Gmsecondary dominant | D · F# · A | 29× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | — |
| I | C | Chromatic colour chordoutside the key | C · E · G | 28× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| V/v | D | Secondary dominant V/v — leads to Gmsecondary dominant | D · F# · A | 29× |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| #iii | Em | Chromatic colour chordoutside the key | E · G · B | 28× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | 34× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| #vi | Am | Chromatic colour chordoutside the key | A · C · E | 6× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
| #vii | Bm | Chromatic colour chordoutside the key | B · D · F# | 5× |
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 130 times in total; 0 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm. D acts as a secondary dominant, briefly pointing at another chord of the key.
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
Starting on G, the song gives away its key from the very first bar. The chords that keep coming back are G, D, Em, C; read them as V/vi–V/iii–bii–VI in Eb or V–V/v–#iii–I in Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Ending on G, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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