Birileri - Zamanın Dışında, Boşluğun İçinde - Chord

Key Eb major – C minor Chords Cm, Bb, Ab, Fm, G Easy key G

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Capo 0

Cm  Bb  Ab  Ab

Cm               Bb          Fm
Nasıl hissedeceğini şaşırmış bir vaziyetteyim
Cm         Bb        Ab
Duygular düşüncüler arapsaçına dönmüş
Cm        Bb         Fm
Kimseler üzülmesin diye düşünen o adam
Cm             Bb            Ab
Ruhunun orta yerinde ölü bulunmuş

Cm         Bb        Fm
Zihninin derinlerinde ne bulunur insanın
Cm               Bb        Ab
Verdiği mutluluk mu dolmuş nehre uzanmanın
Cm          Bb            Fm
Nerdedir bu kendi kendine yardım bölümüm
Cm             Bb             Ab
Epeyce bi vakittir onu aramadayım

Ab                           Cm
Ama belki de hataların hepsi benim
Ab         Fm            Cm
Belki de şikayet etmemeliyim

      Ab         Bb             Cm            Bb
Bütün zayıflıklarım ve başıma bela bu canavarlar
     Fm                            G
Beni boğmadan onları ben yok etmeliyim

Cm         Bb        Fm
Satmak istedim bugün bütün saatlerimi
Cm         Bb           Ab
Artık onların da ölçebileceği bir zaman yok
Cm         Bb          Fm
Göklerin yarıldığı bir gün olmalı bugün
Cm             Bb           Ab
Zamanın dışındayım süzülüyorum

Ab                           Cm
Ama belki de hataların hepsi benim
Ab         Fm            Cm
Belki de şikayet etmemeliyim

      Ab         Bb             Cm            Bb
Bütün zayıflıklarım ve başıma bela bu canavarlar
     Fm                            G
Beni boğmadan onları ben yok etmeliyim

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Birileri - Zamanın Dışında, Boşluğun İçinde Tabs

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Harmony analysis

Birileri – Zamanın Dışında, Boşluğun İçinde: key and chord analysis

The song opens on Cm and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 19 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	10×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	2×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	14×
V	Bb	Dominant — strongest pull home	Bb · D · F	17×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	19×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	19×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	10×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	2×
VI	Ab	Submediant — warm colour	Ab · C · Eb	14×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	17×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 62 times in total; 4 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.

Chord movement

Fm Cm Ebii → vi Cmiv → iminor plagal ×8
Ab Cm EbIV → vi CmVI → iVI → i ×7
Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×2
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×2
Fm G Ebii → V/vi Cmiv → Viv → V ×2
G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×1

The move to watch is Fm → Cm, heard 8 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Bb, Ab, Fm; read them as vi–V–IV–ii in Eb or i–VII–VI–iv in Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. Ending on G, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.