Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Birileri - Küçük Oda - Chord
Key G major – E minor Chords D, Em, G, Am, Bm, B, C Easy key C (capo 7)
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Key: G | Em
Capo: 0
G Bm Em D
G
İşte buradayım yine
Bm
Yine bu küçük oda
Em
Kırmızı sandalyem
D
Geride bıraktıklarım
G
Kusursuz bi dağınıklık
Bm
Toparlayamadıklarım
Em
Şurada da bambaşka bi ben işte
D
Elinde jetonuyla
Am D Em D G
Kaç hakkın var ki zaten bu oyunda
Am D Em
Kaç adet canın var ki
Am D B Em D
Tam ortasındayız, işte şu anda
Am D
E o zaman durma öyle
G
Sen de oyna
G
Göz gözeyiz işte yine
Bm
Yine o sarı duvarlar
Em
Aklıma düşen onca şey
D
Açıklayamadıklarım
G
Çizilmiş mi üzerleri
Bm
Anımsayamadıklarım
Em
Bir de hep o çocuk tarafım
D
Beliriveren karşımda
Am D Em D G
Kaç hakkın var ki zaten bu oyunda
Am D Em
Kaç adet canın var ki
Am D B Em D
Tam ortasındayız, işte şu anda
Am D
E o zaman durma öyle
Em
Sen de oyna
Em C
Ver elini bana
G
Dengeleriz biz
B
Birbirimizi böyle
Em C
İşte yağmur geliyor bak yine
G
Sen onu seversin
Hadi dışarı çık
B C D Em
Belki dans edersiiiiiiiiiin
C D Em
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Birileri - Küçük Oda Tabs
NotesX
Harmony analysis
Birileri – Küçük Oda: key and chord analysis
The song opens on G and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
- #7 = D# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it comes to rest on Em, it opens on G, Em is heard 16 times against 10 for G and the major V chord points straight at Em. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 10× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 8× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 5× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | 4× |
| IV | C | Subdominant — moves away from home | C · E · G | 4× |
| V | D | Dominant — strongest pull home | D · F# · A | 19× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 16× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 16× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 10× |
| iv | Am | Subdominant — moves away from home | A · C · E | 8× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 5× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | 4× |
| VI | C | Submediant — warm colour | C · E · G | 4× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 19× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 7 different chords appear 66 times in total; 6 of them sit naturally inside the shared scale. The major V of Em brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from G, the same B is V/vi, a secondary dominant heading for Em.
Chord movement
- Am D Gii → Vii → V Emiv → VII ×8
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×7
- D G GV → Iauthentic cadence EmVII → III ×6
- Bm Em Giii → vi Emv → inatural-minor cadence ×5
- B Em GV/vi → vi EmV → iharmonic-minor cadence ×3
- C G GIV → Iplagal cadence EmVI → III ×2
The move to watch is Am → D, heard 8 times. From the Em side it is iv → VII; from the G side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When B comes, swap the scale's D for D#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
Starting on G, the song gives away its key from the very first bar. The chords that keep coming back are D, Em, G, Am; read them as V–vi–I–ii in G or VII–i–III–iv in Em. B is the interesting twist: in G it is a chromatic chord (V/vi), while in Em it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Am → D (ii → V in G, iv → VII in Em): ii → V — the classic preparation of the dominant. It closes on Em, letting the Em side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Birileri - Küçük Oda Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Jan SoykökMusic: Jan SoykökArrangement: Birileri
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