Evrencan Gündüz - Bulutlar Gidin - Chord

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Analysis

The key pair is G major and its relative E minor (1 sharp). 25 different chords appear 78 times in total; 7 of them sit naturally inside the shared scale. A#m7b5, E7, Bm7b5 act as secondary dominants, briefly pointing at another chord of the key. G#maj7, B#m7, Bbmaj7, Cm7, D#7, Bb, Ebmaj7, F7 are borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

1. D#7 → G#maj7 GbVI7 → bIImaj7secondary resolution Em#VII7 → #IIImaj7 ×2
2. D → Gmaj7 GV → Imaj7authentic cadence EmVII → IIImaj7 ×1
3. D7 → Gmaj7 GV7 → Imaj7authentic cadence EmVII7 → IIImaj7 ×1
4. Am7 → D Gii7 → Vii → V Emiv7 → VII ×1
5. Bm7 → Em7 Giii7 → vi7 Emv7 → i7natural-minor cadence ×1
6. E7 → Am7 GV7/ii → ii7secondary resolution EmV7/iv → iv7 ×1

The move to watch is D#7 → G#maj7, heard 2 times. From the G side it reads bVI7 → bIImaj7 (secondary resolution: D#7 resolves a fourth up to G#maj7); from the Em side it is #VII7 → #IIImaj7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Capo and easier keys

The song's harmonic story

The first chord is D7; the ear learns where home is within a second. The backbone is Am7, A#m7, Gmaj7, G#maj7 — ii7–biii7–Imaj7–bIImaj7 from the G side, iv7–#iv7–IIImaj7–#IIImaj7 from the Em side. A#m7b5 adds a moment of surprise: secondary leading-tone chord viiø7/iii — leads to Bm. Keep an ear on D#7 → G#maj7 (bVI7 → bIImaj7 in G, #VII7 → #IIImaj7 in Em): secondary resolution — D#7 resolves a fourth up to G#maj7. The final chord is A#m7; the ear comes to rest in G.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.