Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Evrencan Gündüz - Moda Şarkısı - Chord
Key B major – G# minor Chords E, B, C#m, F#, A Easy key D
No ratings yet
or your user informations
Make it yours
Text size
Key: B | Abm | G#m
Capo: 0
C#m E B F#
C#m
Senle tanıştığımda üç yaşındaydım
E
Her zamanki gibi kuş yemi aldım
B F#
Anneme yalvara yalvara
C#m E
Dedim ki anne götür beni salıncağa
B
Durmadan uçayım havada
F#
Güzel hayallere
C#m E
Oo moda
B F#
Oo moda
C#m E
Oo moda
B F#
Oo moda
C#m
Senle büyüdüm senle eğlendim
E B
Senle kalbim için dur diye ağladım
F#
Senin kaldırımında
C#m
Bir hafta sonra ayaktaydım
E B
Senin sokağında müzik yaptım
F#
Haykıra haykıra
C#m E
Oo moda
B F#
Oo moda
C#m E
Oo moda
B F#
Oo moda
A E
Oo moda hayaller senle güzel
B C#m A
Gerçekler senle acı
E
Yanıp gitsem toprağına karışır küllerim
B A E B C#m
Çiçek açar her baharımda oo moda
C#m E
Oo moda
B F#
Oo moda
C#m E B F#
A E
Oo moda hayaller senle güzel
B C#m A
Gerçekler senle acı
E
Yanıp gitsem toprağına karışır küllerim
B A E B C#m
Çiçek açar her baharımda oo moda
C#m E
Oo moda
B F#
Oo moda
C#m E B F#
C#m E B F#
F# F# F# F#
End of song Play again?
Evrencan Gündüz - Moda Şarkısı Tabs
NotesX
Harmony analysis
Evrencan Gündüz – Moda Şarkısı: key and chord analysis
The song opens on C#m and ends on F#. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B major side because B is heard 20 times while G#m never appears. That is an interpretation, not a rule — hearing the same chords from G# minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | 20× |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | 18× |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | — |
| III | D# | Chromatic colour chordoutside the key | D# · G · A# | — |
| IV | E | Subdominant — moves away from home | E · G# · B | 20× |
| V | F# | Dominant — strongest pull home | F# · A# · C# | 18× |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | — |
| bVII | A | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | A · C# · E | 6× |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | — |
| bII | A | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | A · C# · E | 6× |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | 20× |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | 18× |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | — |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI | E | Submediant — warm colour | E · G# · B | 20× |
| VII | F# | Subtonic — steps back to the tonic | F# · A# · C# | 18× |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 5 different chords appear 82 times in total; 4 of them sit naturally inside the shared scale. A is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- E B BIV → Iplagal cadence G#mVI → III ×20
The move to watch is E → B, heard 20 times. From the B side it reads IV → I (plagal cadence: the soft 'amen' ending); from the G#m side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
- On A, follow the chord's notes (A · C# · E) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 3 semitones up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
The first chord is C#m; the ear learns where home is within a second. The chords that keep coming back are E, B, C#m, F#; read them as IV–I–ii–V in B or VI–III–iv–VII in G#m. A briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on E → B (IV → I in B, VI → III in G#m): plagal cadence — the soft 'amen' ending. The final chord is F#; the ear comes to rest in B.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Evrencan Gündüz - Moda Şarkısı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.