Drake - Yebba's Heartbreak - Chord

Chord degrees: major and relative minor

Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Analysis

The key pair is B major and its relative G# minor (5 sharps). 16 different chords appear 56 times in total; 10 of them sit naturally inside the shared scale. G#/C, G#7/C, G#/Cb, G#6/C, Db/F act as secondary dominants, briefly pointing at another chord of the key. Amaj7 is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

1. Dbm → G#m/Cb Bii → vi G#miv → iminor plagal ×1
2. Dbm → G#m Bii → vi G#miv → iminor plagal ×1
3. F#6 → G#m BV6 → videceptive cadence G#mVII6 → iAeolian arrival ×1
4. E → F#6 BIV → V6IV → V G#mVI → VII6VI → VII ×1
5. Emaj7 → G#m BIVmaj7 → vi G#mVImaj7 → iVI → i ×1
6. D#m7 → G#m Biii7 → vi G#mv7 → inatural-minor cadence ×1

The move to watch is Dbm → G#m/Cb, heard once. From the G#m side it is iv → i (minor plagal: deep and melancholic); from the B side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Capo and easier keys

The song's harmonic story

The first chord is E; the ear learns where home is within a second. The backbone is D#m7/F#, Emaj7, G#/C, G#m — iii7–IVmaj7–V/ii–vi from the B side, v7–VImaj7–V/iv–i from the G#m side. G#/C adds a moment of surprise: secondary dominant V/ii — leads to Dbm. Keep an ear on Dbm → G#m/Cb (ii → vi in B, iv → i in G#m): minor plagal — deep and melancholic. The final chord is D#m7; the ear comes to rest in B.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.