Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Sagopa Kajmer - Sussan da Olur - Nun Sultan - Chord
Key G major – E minor Chords Em, Bm Easy key F (capo 2)
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
Em Em Bm Bm
x2
Em
Sen itiraf edene dek gerçeği
Bm
Bilmiyormuş gibi davranacağım
Em
Sırlarını saklıyor dudakların
Bm
Onlardan da uzak duracağım
Em
İhtiyacım olan ışık yok karanlığında
Bm
Sirenlerim çalıyor minik dünyamda
Em
Sussan da olur söyleyeceğin yoksa
Bm
Biraz sessizlik kimseyi incitmez
Em
İstersen hızla uzaklaş buradan
Bm
Gitmen durmandan fazla kırmaz
x2
Em Em Bm Bm
x2
Em
Başa çıkmak zor da olsa olsun
Bm
Buna katlanmak zorunlu sanki
Em
Kaç kez daha tırmanır düşerim
Bm
Bugün kurtuldum yarını bilemeyebilirim
Em
İhtiyacım olan ışık yok karanlığında
Bm
Sirenlerim çalıyor minik dünyamda
Hey Nun!
Em
Güzeldi senle uzaklaşmak kötü olan her şeyden
Korkumla yakınlık sonda kötü olan her şeyden
Bm
Haberim yok gibi davranırım hiç bir şeyden
Sirenlerim çalar minik dünyamda bu yüzden
Em
Beni bağlama sana kördüğümle
Üzerimdeki ağırlıkları fırlatıyorum var gücümle
Bm
Aşk ölüm gibi ne zaman gelir belli değil de ama
İkisi de hayatta bir kere gelirmiş bak yeminle
Em
Affet uzaklığımı, önümde bir yakınlık bariyeri
Tırmandım da düştüm ondandır kalbimin kırık yeri
Bm
Beni anlamak istemediğin zamanı, beni anlamak için harcasaydın
Beni harcayamazdın öyle değil mi
Em
Depresyonumu evcilleştir
Suskunluğumun endişeli günleri ağrımı kesen bir şey geliştir
Bm
Kısa hayatta uzatıyorum bazı şeyleri
Benzerim cama kırıldığımda keskinim kanatırım her yeri
Em
Sussan da olur söyleyeceğin yoksa
Bm
Biraz sessizlik kimseyi incitmez
Em
İstersen hızla uzaklaş buradan
Bm
Gitmen durmandan fazla kırmaz
x2
End of song Play again?
Sagopa Kajmer - Sussan da Olur - Nun Sultan Tabs
NotesX
Harmony analysis
Sagopa Kajmer – Sussan da Olur - Nun Sultan: key and chord analysis
The song opens on Em and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 18 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 18× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | — |
| V | D | Dominant — strongest pull home | D · F# · A | — |
| vi | Em | Relative minor — the melancholy side | E · G · B | 18× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 18× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | 18× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | — |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | — |
Analysis
The key pair is G major and its relative E minor (1 sharp). 2 different chords appear 36 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bm Em Giii → vi Emv → inatural-minor cadence ×15
The move to watch is Bm → Em, heard 15 times. From the Em side it is v → i (natural-minor cadence: gentle, modal arrival); from the G side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Em; the ear learns where home is within a second. Em, Bm carry the song: vi–iii relative to G, i–v relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → Em (iii → vi in G, v → i in Em): natural-minor cadence — gentle, modal arrival. It closes on Bm, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sagopa Kajmer - Sussan da Olur - Nun Sultan Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Sagopa KajmerMusic: Sagopa Kajmer
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.