Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Sagopa Kajmer - Avutsun Bahaneler - Chord
Key Gb major – Eb minor Chords Bbm, Bmaj7, Ebm, Abm Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Bbm
Kaybetmedim hiçbir zaman dürüstlüğümü ama dürüstlükten çok kaybettim
Ben her şeye kafa tutmadan önce her şey bana kafa tutmuştu ben gördüm
Anladım ya fayda etmiyor bir şey, engel olamıyorum, dağılıyorum peyderpey
Var kendimle konuşmak istediğim çok şey, açarım ağzımı yumarım gözümü epey epey
Neden iki büklüm boynun? Beslediği yılanlara mı kırgın koynun ?
Bmaj7
Kurtlar canını alıyorken koyunun, bal umdun da arıdan sade kaldı iğne bulduğun
Bbm
Kafan seni dağıtmadan sen onu dağıt, kalbin yerinden çıkacak haydi biraz rahatla!
Bildiğim şeyleri ben de öldüremiyorum evet başa çıkamadığım oluyor olanla
Ebm Bbm Bmaj7
Avutsun bahaneler, avutsunlar beni avutabilirseler onlar
Pek sanmam, hiç sanmam
Abm
Elimi çektim altından taşın, kurtuldu ezilen parmaklarım
Bbm
Ama canım hala yanıyor, avutsun bahaneler, bahaneler
Ebm Bbm Bmaj7
Avutsun bahaneler, avutsunlar beni avutabilirseler onlar
Pek sanmam, hiç sanmam
Abm
Elimi çektim altından taşın, kurtuldu ezilen parmaklarım
Bbm
Ama canım hala yanıyor, avutsun bahaneler, bahaneler
Ebm Bbm Bmaj7
Ah bu bana ağır gelen sözler yok mu
Abm Bbm
Ah bu bana ağır gelen yükler yok mu
Avutsun bahaneler, bahaneler
Bbm
Vermedim kendimden ödün ne dün ne bugün
Ben zamanı öldürürüm zaman beni öldürürken
Kangren bir kolum vardı dün kesip atmak ağır oldu hem de onu çok severken
Anladım ki fayda etmiyor bir şey, yaşamak zorundayım bu bildiğim tek şey
Sanki ben bir kobayım da dünya bir deney, kaçacak bir yerin yok doğu, batı, kuzey, güney
Neden bakışların donuk ve yorgun? Belli ki mahkemen var içinde büyük sorgun
Bmaj7
Hayatını senden çaldılarsa büyük soygun, sende ses yok, kalma suskun!
Bbm
Ayakkabı bağcığı gibi çözüldü sırlar, ben sessiz yürürken köpek bana hırlar
Yetmiyormuş gibi paçamı ısırırlar, saldırmak için kendilerini kandırırlar
Ebm Bbm Bmaj7
Avutsun bahaneler, avutsunlar beni avutabilirseler onlar
Pek sanmam, hiç sanmam
Abm
Elimi çektim altından taşın, kurtuldu ezilen parmaklarım
Bbm
Ama canım hala yanıyor, avutsun bahaneler, bahaneler
Ebm Bbm Bmaj7
Avutsun bahaneler, avutsunlar beni avutabilirseler onlar
Pek sanmam, hiç sanmam
Abm
Elimi çektim altından taşın, kurtuldu ezilen parmaklarım
Bbm
Ama canım hala yanıyor, avutsun bahaneler, bahaneler
Ebm Bbm Bmaj7
Ah bu bana ağır gelen sözler yok mu
Abm Bbm
Ah bu bana ağır gelen yükler yok mu
Avutsun bahaneler, bahaneler
End of song Play again?
Sagopa Kajmer - Avutsun Bahaneler Tabs
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Harmony analysis
Sagopa Kajmer – Avutsun Bahaneler: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because Ebm is heard 6 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 6× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 16× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IVmaj7 | Bmaj7 | Subdominant — moves away from home | B · D# · F# · A# | 8× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 6× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 6× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 6× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 16× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VImaj7 | Bmaj7 | Submediant — warm colour | B · D# · F# · A# | 8× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 4 different chords appear 36 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×6
The move to watch is Bbm → Ebm, heard 6 times. From the Ebm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Gb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. Bbm, Bmaj7, Ebm, Abm carry the song: iii–IVmaj7–vi–ii relative to Gb, v–VImaj7–i–iv relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Ebm (iii → vi in Gb, v → i in Ebm): natural-minor cadence — gentle, modal arrival. The final chord is Bbm; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sagopa Kajmer - Avutsun Bahaneler Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sagopa KajmerMusic: Sagopa KajmerArrangement: Sagopa Kajmer
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