Sagopa Kajmer - 366. Gün - Chord

Key Eb major – C minor Chords Ab, Fm, Gm Easy key D (capo 1)

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Capo 0

Ab                    Fm                 Gm
Kurulu bir makinayım, ya arıza yaparsam, istemediğim halde ya devrelerimi yakarsam
Ab                     Fm             Gm
Dik durmam gerek, ya yere yıkılırsam, ya bir çuval inciri mahveden ben olursam
Ab                 Fm                     Gm
Bir daha düşünecek olsam aynı yanlışı iki kere yapar mıydım sanmam
         Ab               Fm             Gm
Eyvahlar olsun bir daha kanmam ne de zor oluyor aradıklarımı bulmam
Ab                 Fm              Gm
Sorduğum soruların yanıtını almam, cevap belliyse sorusunu sormam
Ab                 Fm              Gm
Dişlerim sivri ama korkma ısırmam, bana bit lan artık, derler azalmam
Ab                Fm              Gm
Sohbeti ne de düzetek, haz almam, çoğundan hoşlandığımı pek sanmam
Ab                  Fm                Gm
İstediğim anda istediğim yerde olsam, süperman gibi istediğim yere uçup konsam

Ab        Fm    Gm                    Ab     Fm    Gm 
İnkarı bırak kabullen, kabullenmekten başka çaren yok
      Ab             Fm               Gm
Ne de zor oluyor aradıklarını bulman, zar zor zar zor
       Ab            Fm               Gm
Pek de zor oluyor aradıklarını bulman zar zor zar zor

Ab       Fm                     Gm
366.gün, yüzüm yine bana dönük, meskenim değişiyor maskenin ardı görüldüğü zaman
Ab                    Fm                  Gm    
Kırılıyor kaburgam, panda gibi soyu tükeniyor güvenimin, ormandaki ağaç kadar yalnızlık yakından
Ab                Fm                       Gm
Hey, bana güneş olur musun istesem çevremi saran karanlık şu perdeden
                 Ab              
Ben göremesem de uzakları şimdiden
Fm                       Gm
Bana her şey çok uzak be kendiliğinden beri kendimi bildiğimden
Ab                  Fm                         Gm
Emin değilim bilmek istediğimden, defalarca yıpranırsın bildiğinden
                Ab                    Fm                    Gm
İnkar etme kabullen peşindesin bildiğinde bildiğine pişman olacağını bilmene rağmen neden
Ab                           Fm                Gm
Bir tek aklın kaldı onu da senden aşıramazlar, ara ve bul çok uzun saklanamazlar ne o
Ab                     Fm                     Gm
Olacakları biliyorken çok fazla şaşıramazlar, tazı durdu artık koşturamazlar

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Sagopa Kajmer - 366. Gün Tabs

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Harmony analysis

Sagopa Kajmer – 366. Gün: key and chord analysis

The song opens on Ab and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	20×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	20×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	20×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	20×
v	Gm	Minor dominant — soft pull	G · Bb · D	20×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	20×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 60 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Ab lays a solid floor for everything that follows. Ab, Fm, Gm carry the song: IV–ii–iii relative to Eb, VI–iv–v relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.