Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Anıl Piyancı - Taksim (Kaan Boşnak) - Chord
Key Db major – Bb minor Chords Bbm, Gb, Ebm, Fm Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Bbm Gb Ebm Fm
Bbm
Bu şehir benim düştüğüm delik
Gb
Çıkamam ki benimsedim
Ebm
Özlesem de güneyleri
Fm
Ruhum Taksim’de bir serseri
Bbm
Gezerdim dostlarımla Taksim’de bir serseriyim
Gb
Ben on yıl öncesindeki İstiklal caddesiyim
Ebm
Sokakta kaybolmuş tüm insanların adresiyim
Fm
O mutsuz çocukların kırık dolu karnesiyim
Bbm
Bok ettik sadece bir şehri değil bir şaheseri
Gb
Yok eski tadı hiçbir şeyin bugün hayli sefil
Ebm
Hepimiz bu toprakların gelecek varisiyiz
Fm
Bir türlü bitmeyecek borçlarının vadesiyiz
Bbm
Bu filmin en dramatik acıklı sahnesiyim
Gb
Belki arka sokakların yasaklı maddesiyim
Ebm
Pisliğin içinde yaşarım şehir faresiyim
Fm
Gözleri dolduran o şarkıların namesiyim
Bbm
Bir türlü çözemedik niye bilmem hadiseyi
Gb
Düşünce suçu mu işlemiş şiir kafiyesi
Ebm
Ölen özgürlüğün mezar başında taziyesi
Fm
Yaşlı bir dedenin torunlarına tavsiyesi
Bbm
Yüzünde korkunun üzücü bir ifadesiyim
Gb
Tarih yazan o komutanların iradesiyim
Ebm
Yolları gözleyen anaların bir tanesiyim
Fm
Evine dönmeyen askerlerin hikayesiyim
Bbm
Savaştan kurtulan gururlu halkın gazisiyim
Gb
İsterdi huzurlu olsun gelecek çağ, nesil
Ebm
Uyanman gerek artık bu onun işareti
Fm
Gençlere ışık tutar Gençliğin Hitabesi
Bbm
Bu şehir benim düştüğüm delik
Gb
Çıkamam ki benimsedim
Ebm
Özlesem de güneyleri
Fm
Ruhum Taksim’de bir serseri
Bbm
Senden olmayanı görmüyorsun
Gb
Değişik kafaları sevmiyorsun
Ebm
Ne çok hayatı da perişan ettin
Fm
Bir nesil kayıp hiç bilmiyorsun
Bbm
Huzurumuza dikili gözler
Gb
İnsan hep eskiyi mi özler
Ebm
İçime atsam içim patlar
Fm
Betona tapıyor bu putperestler
Bbm
Nereye gidiyor bu kaçan hevesler
Gb
Sanki boşa alınan nefesler
Ebm
Birileri ise hep kaçarlar
Fm
Diğerleri de hep birini bekler
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Anıl Piyancı - Taksim (Kaan Boşnak) Tabs
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Harmony analysis
Anıl Piyancı – Taksim (Kaan Boşnak): key and chord analysis
The song opens on Bbm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 12 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 12× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 12× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 12× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 12× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 12× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 12× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 12× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 12× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 48 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×11
The move to watch is Fm → Bbm, heard 11 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The chords that keep coming back are Bbm, Gb, Ebm, Fm; read them as vi–IV–ii–iii in Db or i–VI–iv–v in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. Ending on Fm, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Anıl Piyancı - Taksim (Kaan Boşnak) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kaan Boşnak
Anıl PiyancıMusic: Kaan Boşnak
Anıl Piyancı
Ouz BaydarArrangement: Ouz Baydar
Anıl PiyancıMusic: Kaan Boşnak
Anıl Piyancı
Ouz BaydarArrangement: Ouz Baydar
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