Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Key Db major – Bb minor Chords Gb, Db, Dbmaj7, Ebm7, Ab/C, Bbsus2, Gbmaj7, Ab Easy key G (capo 6)
Bbsus2 Dbmaj7
x2
Bbsus2 Dbmaj7
All the pretty girls in the foreground of my mind
Bbsus2 Dbmaj7
I thought I'd done enough, but they keep moving the line
Gbmaj7 Dbmaj7
I thought I'd found the antidote this time
Gbmaj7 Dbmaj7
I thought I'd found the antidote this time
Bbsus2 Dbmaj7
All the nights I spent fighting bad thoughts in my room
Bbsus2 Dbmaj7
Feeling so alone, might as well be on the moon
Gbmaj7 Dbmaj7
I thought I'd found the antidote with you
Gbmaj7 Dbmaj7
I thought I'd found the antidote with you
Ebm7 Gb
But my head is full of poison, and my heart is full of doubt
Db Ab/C
I got toxins in my bloodstream, you tried hard to suck 'em out
Ebm7 Gb
And it feels like medication, and it's good for me, I'm sure
Db Ab/C
But it don't matter how your love feels anymore
Ebm7 Gb
It'll never be the cure
Db Ab/C
It'll nеver be the curе
Bbsus2 Dbmaj7
I used to play a game in my head when I'd date a guy
Bbsus2 Dbmaj7
Tally up the girls that he fucked 'til I start to cry
Gbmaj7 Dbmaj7
I thought I'd found the antidote this time
Gbmaj7 Dbmaj7
I thought I'd found the antidote this time
Gb
But I'm unraveled (I'm unraveled)
Db Ab
I'm unraveled (I'm unraveled)
Gb
I'm unraveled (I'm unraveled)
Db Ab
I'm unraveled (I'm unraveled)
Ebm7 Gb
And my head is full of poison, and my heart is full of doubt
Db Ab/C
I got toxins in my bloodstream, you tried hard to suck 'em out
Ebm7 Gb
And it feels like medication, and it's good for me, I'm sure
Db Ab/C
But it don't matter how your love feels anymore
Ebm7 Gb
It'll never be the cure
Db Ab/C
It'll nеver be the curе, oh
Gb
'Cause, baby, I'm unraveled (I'm unraveled)
Db Ab
I'm unraveled (I'm unraveled)
Gb
I'm unraveled (I'm unraveled)
Db Ab Gb
I'm unraveled (I'm unraveled, I'm unraveled)
Db
Why can't you come stitch me up? (I'm unraveled)
Ab Gb
Why can't it ever be enough? (I'm unraveled)
Db
Why can't you come stitch me up? (I'm unraveled)
Ab Ebm7
Why can't it ever be enough?
Gb
Ooh-oh
Db Ab/C
It's not enough
Ebm7 Gb
All because my head is full of poison, and my heart is full of doubt (I'm unraveled)
Db Ab/C
I got toxins in my bloodstream, you tried so hard to suck out (I'm unraveled)
Ebm7 Gb
And it feels like medication, and it's good for me, I'm sure (I'm unraveled)
Db Ab/C
But it don't matter how your love feels anymore (I'm unraveled)
Ebm7 Gb
It'll never be the cure
Db Ab/C
It will never be the cure
It'll never be
Ebm7 Gb Db Ab/C
x2
End of song Play again?
Harmony analysis
The song opens on Bbsus2 and ends on Ab/C. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Db major side because Db is heard 30 times while Bbm never appears. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 17× |
| Imaj7 | Dbmaj7 | Tonic — home | Db · F · Ab · C | 13× |
| ii7 | Ebm7 | Supertonic — prepares the dominant | Eb · Gb · Bb · Db | 11× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 17× |
| IVmaj7 | Gbmaj7 | Subdominant — moves away from home | Gb · Bb · Db · F | 6× |
| V | Ab/C | Dominant — strongest pull home | Ab · C · Eb | 11× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 6× |
| VIsus2 | Bbsus2 | Relative minor — the melancholy side | Bb · C · F | 7× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Isus2 | Bbsus2 | Tonic — home | Bb · C · F | 7× |
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 17× |
| IIImaj7 | Dbmaj7 | Relative major — the bright side | Db · F · Ab · C | 13× |
| iv7 | Ebm7 | Subdominant — moves away from home | Eb · Gb · Bb · Db | 11× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 17× |
| VImaj7 | Gbmaj7 | Submediant — warm colour | Gb · Bb · Db · F | 6× |
| VII | Ab/C | Subtonic — steps back to the tonic | Ab · C · Eb | 11× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 6× |
The key pair is Db major and its relative Bb minor (5 flats). 8 different chords appear 88 times in total; 8 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gb → Db, heard 17 times. From the Db side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bbm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Bbsus2, the song gives away its key from the very first bar. Gb, Db, Dbmaj7, Ebm7 carry the song: IV–I–Imaj7–ii7 relative to Db, VI–III–IIImaj7–iv7 relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Db (IV → I in Db, VI → III in Bbm): plagal cadence — the soft 'amen' ending. The final chord is Ab/C; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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