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Beirut - Elephant Gun - Chord

Key Db major – Bb minor Chords Bbm, Eb7, Ab, Db, Dbmaj7 Easy key C (capo 1)

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Capo 0
Bbm  Eb7  Ab  Db  Dbmaj7

Bbm          Eb7                   Ab                 Db     Dbmaj7   Bbm
   If I was young, I'd flee this town, I'd bury my dreams under  ground
       Eb7             Ab               Db   Dbmaj7  Bbm
As did I, we drink to die, we drink toni   i     ight
         Eb7             Ab                     Db   Dbmaj7  Bbm
Far from home, elephant guns, let's take thBbm down one by one
             Eb7                  Ab                Db   Dbmaj7 Bbm
We'll lay it down, it's not been found, it's not aro   o     ound

        Eb7        Ab       Db    Dbmaj7  Bbm
Let the seasons begin, it rolls right on
        Eb7        Ab             Db  Dbmaj7  Bbm
Let the seasons begin, take the big king  down
        Eb7        Ab       Db    Dbmaj7  Bbm
Let the seasons begin, it rolls right on
        Eb7        Ab             Db  Dbmaj7  Bbm
Let the seasons begin, take the big king   down

Bbm  Eb7  Ab  Db  Dbmaj7
 
Bbm    Eb7    Ab     Db  Dbmaj7  Bbm
   Oh oh oh oh oh la la     la
 
Bbm  Eb7  Ab  Db  Dbmaj7

Bbm             Eb7          Ab          Db  Dbmaj7   Bbm
   And it rips through the silence of our camp at night
            Eb7          Ab         Db  Dbmaj7 Bbm
And it rips through the night, oh la la    la
            Eb7          Ab              Db   Dbmaj7  Bbm
And it rips through the silence of our camp at    night
            Eb7          Ab                    Db      Dbmaj7  Bbm
And it rips through the silence, all that is left is all I  hide

Bbm  Eb7  Ab  Db  Dbmaj7

End of song Play again?

Beirut - Elephant Gun Tabs

NotesX

Harmony analysis

Beirut – Elephant Gun: key and chord analysis

The song opens on Bbm and ends on Dbmaj7. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C (leading tone, pulls home)
  • 4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Gb (the minor's melancholy)
  • b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Db major side because it comes to rest on Db, it opens on Bbm and Db is heard 34 times against 20 for Bbm. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree Chord Role Notes In song
I Db Tonic — home Db · F · Ab 17×
Imaj7 Dbmaj7 Tonic — home Db · F · Ab · C 17×
ii Ebm Supertonic — prepares the dominant Eb · Gb · Bb —
V7/V Eb7 Secondary dominant V/V — leads to Absecondary dominant Eb · G · Bb · Db 17×
iii Fm Mediant — a tonic-family shade F · Ab · C —
V/vi F Secondary dominant V/vi — leads to Bbmsecondary dominant F · A · C —
IV Gb Subdominant — moves away from home Gb · Bb · Db —
V Ab Dominant — strongest pull home Ab · C · Eb 17×
vi Bbm Relative minor — the melancholy side Bb · Db · F 20×
vii° Cdim Leading-tone chord — tension C · Eb · Gb —
Seen from Bb minor
Degree Chord Role Notes In song
i Bbm Tonic — home Bb · Db · F 20×
ii° Cdim Supertonic — prepares the dominant C · Eb · Gb —
III Db Relative major — the bright side Db · F · Ab 17×
IIImaj7 Dbmaj7 Relative major — the bright side Db · F · Ab · C 17×
iv Ebm Subdominant — moves away from home Eb · Gb · Bb —
IV7 Eb7 Major IV — Dorian / melodic-minor colourmodal colour Eb · G · Bb · Db 17×
v Fm Minor dominant — soft pull F · Ab · C —
V F Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F · A · C —
VI Gb Submediant — warm colour Gb · Bb · Db —
VII Ab Subtonic — steps back to the tonic Ab · C · Eb 17×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 88 times in total; 4 of them sit naturally inside the shared scale. Eb7 acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

  1. Ab Db DbV → Iauthentic cadence BbmVII → III ×17
  2. Eb7 Ab DbV7/V → Vsecondary resolution BbmIV7 → VII ×17

The move to watch is Ab → Db, heard 17 times. From the Db side it reads V → I (authentic cadence: the strongest arrival home); from the Bbm side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
  • Over Eb7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
  • Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Db major shapes

    • Capo 1 + C shapes
    • Capo 4 + A shapes
    • Capo 6 + G shapes

    With Bb minor shapes

    • Capo 1 + Am shapes
    • Capo 6 + Em shapes

    Easiest keys on guitar

    • 1 semitone down · capo 1 keeps the original pitch
    • 6 semitones up · capo 6 keeps the original pitch

    The song's harmonic story

    Starting on Bbm, the song gives away its key from the very first bar. The backbone is Bbm, Eb7, Ab, Db — vi–V7/V–V–I from the Db side, i–IV7–VII–III from the Bbm side. Eb7 adds a moment of surprise: secondary dominant V/V — leads to Ab. Keep an ear on Ab → Db (V → I in Db, VII → III in Bbm): authentic cadence — the strongest arrival home. The final chord is Dbmaj7; the ear comes to rest in Db.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Beirut - Elephant Gun Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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