Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Key Db major – Bb minor Chords Bbm, Fm, Eb Easy key C (capo 1)
Fm Eb Bbm
Ooo, oo oo oo, oo oo, oo ooo
Fm Eb Bbm
You and I go on at each other like we're going to war
Fm Eb Bbm
You and I go rough, we keep throwing things and slamming the door
Fm Eb Bbm
You and I get so damn dysfunctional we start keeping score
Fm Eb Bbm
You and I get sick, yeah I know that we can do this no more
Fm Eb Bbm
But baby there you go again, there you go again making me love you oh
Fm Eb Bbm
I stopped using my head, using my head let it all go oh
Fm Eb Bbm
Now you're stuck on my body, on body like a tattoo oh
Fm Eb Bbm
And now I'm feeling stupid, feeling stupid coming back to you
Fm Eb Bbm
So I cross my heart and I hope to die
Fm Eb Bbm
That I'll only stay with you one more night
Fm Eb Bbm
And I know I said it a million times
Fm Eb Bbm
But I'll only stay with you one more night
Fm Eb Bbm
Try to tell you no but my body keeps on telling you yes
Fm Eb Bbm
Try to tell you stop, but your lipstick's got me so out of breath
Fm Eb Bbm
I'll waking up in the morning probably hating myself
Fm Eb Bbm
I'll be waking up feeling satisfied but guilty as hell
Fm Eb Bbm
But baby there you go again, there you go again making me love you oh
Fm Eb Bbm
Baby I stopped using my head, using my head let it all go oh
Fm Eb Bbm
Now you're stuck on my body, on body like a tattoo oh
Fm Eb Bbm
And now I'm feeling stupid, feeling stupid coming back to you
Fm Eb Bbm
So I cross my heart and I hope to die
Fm Eb Bbm
That I'll only stay with you one more night
Fm Eb Bbm
And I know I said it a million times
Fm Eb Bbm
But I'll only stay with you one more night
Fm Eb Bbm
Yeah baby give me one more night
Fm Eb Bbm
But baby there you go again, there you go again making me love you oh
Fm Eb Bbm
Baby I stopped using my head, using my head let it all go oh
Fm Eb Bbm
Now you're stuck on my body, on body like a tattoo oh
Bbm
yeah, yeah, yeah
Fm Eb Bbm
So I cross my heart and I hope to die
Fm Eb Bbm
That I'll only stay with you one more night
Fm Eb Bbm
And I know I said it a million times
Fm Eb Bbm
But I'll only stay with you one more night
End of song Play again?
Harmony analysis
The song opens on Fm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it comes to rest on Bbm and Bbm is heard 34 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| II | Eb | Chromatic colour chordoutside the key | Eb · G · Bb | 33× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 33× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 34× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 34× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| IV | Eb | Major IV — Dorian / melodic-minor colourmodal colour | Eb · G · Bb | 33× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 33× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 100 times in total; 2 of them sit naturally inside the shared scale. Eb step outside the scale as colour chords.
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Empty slices are chords the song doesn't use.
The first chord is Fm; the ear learns where home is within a second. Bbm, Fm, Eb carry the song: vi–iii–II relative to Db, i–v–IV relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bbm, letting the Bbm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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