Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Key Db major – Bb minor Chords F/C, C, Am, Dm, G, G/B Easy key Ab (capo 5)
Am F/C C
Give me love like her
Am
'Cause lately I've been
F/C C
Waking up alone
Am
Pain splattered
F/C C
Teardrops on my shirt
Am F/C C
Told you I'd let them go
Dm
And I'll fight my corner
F/C
Maybe tonight I'll call ya
C G/B
After my blood turns into alcohol
Dm F/C
No I just wanna hold ya
C Dm F/C
Give a little time to me
C
We'll burn this out
Dm F/C
We'll play hide and seek
C
To turn this around
Dm F/C
All I want is the taste
That your lips allow
Am G F/C
My my, my my, oh give me love
My my, my my, oh give me love
My my, my my, give me love
Am F/C C
Give me love like never before
Am
'Cause lately I've been
F/C C
Craving more
Am F/C
And it's been a while but
C
I still feel the same
Am F/C C
Maybe I should let you go
Dm
You know I'll fight my corner
F/C
And that tonight I'll call ya
C G/B
After my blood, is drowning in alcohol
Dm F/C
No I just wanna hold ya
C Dm F/C
Give a little time to me
C
We'll burn this out
Dm F/C
We'll play hide and seek
C
To turn this around
Dm F/C
All I want is the taste
That your lips allow
Am G F/C
My my, my my, oh give me love
C Dm F/C
Give a little time to me
C
We'll burn this out
Dm F/C
We'll play hide and seek
C
To turn this around
Dm F/C
All I want is the taste
That your lips allow
Am G F/C
My my, my my, oh give me love
My my, my my oh give me love
My my, my my give me love
My my, my my, my my, oh give me love
Am F/C
My my, my my, oh give me love
C
My my, my my, oh give me love
Am F/C
My my, my my, oh give me love
C
My my, my my, oh give me love
End of song Play again?
Harmony analysis
The song opens on Am and ends on C. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| bii | Dm | Chromatic colour chordoutside the key | D · F · A | 13× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| III | F/C | Chromatic colour chordoutside the key | F · A · C | 26× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| #IV | G | Chromatic colour chordoutside the key | G · B · D | 3× |
| #IV | G/B | Chromatic colour chordoutside the key | G · B · D | 2× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| bvi | Am | Chromatic colour chordoutside the key | A · C · E | 13× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| V/iii | C | Secondary dominant V/iii — leads to Fmsecondary dominant | C · E · G | 21× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| V/v | C | Secondary dominant V/v — leads to Fmsecondary dominant | C · E · G | 21× |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| #iii | Dm | Chromatic colour chordoutside the key | D · F · A | 13× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F/C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 26× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| #VI | G | Chromatic colour chordoutside the key | G · B · D | 3× |
| #VI | G/B | Chromatic colour chordoutside the key | G · B · D | 2× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
| #vii | Am | Chromatic colour chordoutside the key | A · C · E | 13× |
The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 78 times in total; 0 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull. C acts as a secondary dominant, briefly pointing at another chord of the key.
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Empty slices are chords the song doesn't use.
The opening Am lays a solid floor for everything that follows. The chords that keep coming back are F/C, C, Am, Dm; read them as III–V/iii–bvi–bii in Db or V–V/v–#vii–#iii in Bbm. F/C is the interesting twist: in Db it is a chromatic chord (III), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Ending on C, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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