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Daft Punk - Lose Yourself to Dance - Chord

Key Db major – Bb minor Chords Bbm7, Ab, Ebm7, Gbmaj7 Easy key G (capo 6)

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Capo 0
Bbm7  Ab  Ebm7
              I know you don't get a chance to take a break this often
Gbmaj7
I know your life is speeding and it isn't stopping
Bbm7
Here, take my shirt and just go ahead and wipe up all the
Ab
Sweat, sweat, sweat

                   Ebm7
Lose yourself to dance
                   Gbmaj7
Lose yourself to dance
                   Bbm7
Lose yourself to dance
                   Ab
Lose yourself to dance
 
                   Ebm7
Lose yourself to dance

Ebm7
I know you don't get a chance to take a break this often
Gbmaj7
I know your life is speeding and it isn't stopping
Bbm7
Here, take my shirt and just go ahead and wipe up all the
Ab
Sweat, sweat, sweat

 
                   Ebm7
Lose yourself to dance

Come on come on come on come on
                   Gbmaj7
Lose yourself to dance

Come on come on come on come on
                   Bbm7
Lose yourself to dance

Come on come on come on come on
                   Ab
Lose yourself to dance

Come on come on come on come on

                  Ebm7  Gbmaj7  Bbm7  Ab
Lose yourself to dance

Every body on the floor


Ebm7
I know you don't get a chance to take a break this often
Gbmaj7
I know your life is speeding and it isn't stopping
Bbm7
Here, take my shirt and just go ahead and wipe up all the
Ab
Sweat, sweat, sweat

                   Ebm7
Lose yourself to dance
                   Gbmaj7
Lose yourself to dance
                   Bbm7
Lose yourself to dance
                   Ab
Lose yourself to dance

End of song Play again?

Daft Punk - Lose Yourself to Dance Tabs

NotesX

Harmony analysis

Daft Punk – Lose Yourself to Dance: key and chord analysis

The song opens on Bbm7 and ends on Ab. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C (leading tone, pulls home)
  • 4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Gb (the minor's melancholy)
  • b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 8 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree Chord Role Notes In song
I Db Tonic — home Db · F · Ab —
ii7 Ebm7 Supertonic — prepares the dominant Eb · Gb · Bb · Db 8×
iii Fm Mediant — a tonic-family shade F · Ab · C —
V/vi F Secondary dominant V/vi — leads to Bbmsecondary dominant F · A · C —
IVmaj7 Gbmaj7 Subdominant — moves away from home Gb · Bb · Db · F 7×
V Ab Dominant — strongest pull home Ab · C · Eb 8×
vi7 Bbm7 Relative minor — the melancholy side Bb · Db · F · Ab 8×
vii° Cdim Leading-tone chord — tension C · Eb · Gb —
Seen from Bb minor
Degree Chord Role Notes In song
i7 Bbm7 Tonic — home Bb · Db · F · Ab 8×
ii° Cdim Supertonic — prepares the dominant C · Eb · Gb —
III Db Relative major — the bright side Db · F · Ab —
iv7 Ebm7 Subdominant — moves away from home Eb · Gb · Bb · Db 8×
v Fm Minor dominant — soft pull F · Ab · C —
V F Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F · A · C —
VImaj7 Gbmaj7 Submediant — warm colour Gb · Bb · Db · F 7×
VII Ab Subtonic — steps back to the tonic Ab · C · Eb 8×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 31 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Gbmaj7 Bbm7 DbIVmaj7 → vi7 BbmVImaj7 → i7VI → i ×7

The move to watch is Gbmaj7 → Bbm7, heard 7 times. From the Bbm side it is VImaj7 → i7 (VI → i: falls a half step into home); from the Db side it reads IVmaj7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
  • Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
  • Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
  • Over Ebm7, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Db major shapes

    • Capo 1 + C shapes
    • Capo 4 + A shapes
    • Capo 6 + G shapes

    With Bb minor shapes

    • Capo 1 + Am shapes
    • Capo 6 + Em shapes

    Easiest keys on guitar

    • 6 semitones up · capo 6 keeps the original pitch
    • 1 semitone down · capo 1 keeps the original pitch

    The song's harmonic story

    The first chord is Bbm7; the ear learns where home is within a second. Bbm7, Ab, Ebm7, Gbmaj7 carry the song: vi7–V–ii7–IVmaj7 relative to Db, i7–VII–iv7–VImaj7 relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gbmaj7 → Bbm7 (IVmaj7 → vi7 in Db, VImaj7 → i7 in Bbm): VI → i — falls a half step into home. The final chord is Ab; the ear comes to rest in Db.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Daft Punk - Lose Yourself to Dance Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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