Sehabe - Siyah Şanışer - Chord

Key Ab major – F minor Chords Cm, Bb, Abmaj7, Gm Easy key F (capo 3)

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Capo 0

Cm
Siyah, siyah, ziyaretinde ruhumun
  Bb
Biraz dayan, dayan yenilmelere
    Abmaj7
Kaderimden (kaderimden) geçer durur gibisin
  Gm
Beyazlarım çeker vurur gibisin

Cm
 Günaydın gece, günaydın karanlık

Günaydın bütün siyahlar
Bb
 Baş başayız gene

Mutlu muyuz, değil miyiz bilmiyoruz gene
Abmaj7
 Kızmıyorum sana, kızmıyorum gene
Gm
 Bugün de ölmüyorum deyip
 
Bulutlardan en aşağıya atlıyorum gene

Cm
 Neredesin be kadın, özlüyorum seni
Bb
 Elimde değil, susmam gerekli
Abmaj7
 Sen unuttuğumu zannet

Böyle düşün bende hiçbir sorun yok
              Gm
Çünkü gülmek için değil

Ölmek için değil, görmek için değil

Artık çok geç sevmek için beni

Cm
Siyah, siyah, ziyaretinde ruhumun
  Bb
Biraz dayan, dayan yenilmelere
    Abmaj7
Kaderimden (kaderimden) geçer durur gibisin
  Gm
Beyazlarım çeker vurur gibisin

Cm
Sen çiçeği kuruttun, ben şiiri büyüttüm

Her şeyimi unuttun, her şeyim umuttu
Bb
 Şimdi karanlık yerime seril

Gözümdeki uykusuzluk senin eserin
Abmaj7
 Sana diyorum hırslanasın da

Boynunu saçından kıskanasım var
Gm
 Dün çöldü, ne oldu, bak

Yanağımda okyanuslar buldular

Cm
Sandım umudun kanatları var

Zaman umudu tokatladı bak
   Bb
Kalbimde çıkmaz sokaklarım var

Sakın ola gelip çıkma sokaklarıma
Abmaj7
Çay gibi tükendi kalbin demi

O bahsettiğin aşk kalbinde mi?
       Gm
Ben de saf gibi kendimi aşk adamı sandım

Şimdi git de başkasını kandır

Cm
Siyah, siyah, ziyaretinde ruhumun
  Bb
Biraz dayan, dayan yenilmelere
    Abmaj7
Kaderimden (kaderimden) geçer durur gibisin
  Gm
Beyazlarım çeker vurur gibisin

End of song Play again?

Sehabe - Siyah Şanışer Tabs

NotesX

Harmony analysis

Sehabe – Siyah Şanışer: key and chord analysis

The song opens on Cm and ends on Gm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Ab major side because Ab is heard 7 times while Fm never appears. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
Imaj7	Abmaj7	Tonic — home	Ab · C · Eb · G	7×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
II	Bb	Chromatic colour chordoutside the key	Bb · D · F	7×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	7×
III	C	Chromatic colour chordoutside the key	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	—
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—
vii	Gm	Chromatic colour chordoutside the key	G · Bb · D	7×

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
ii	Gm	Chromatic colour chordoutside the key	G · Bb · D	7×
IIImaj7	Abmaj7	Relative major — the bright side	Ab · C · Eb · G	7×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
IV	Bb	Major IV — Dorian / melodic-minor colourmodal colour	Bb · D · F	7×
v	Cm	Minor dominant — soft pull	C · Eb · G	7×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	—
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 28 times in total; 2 of them sit naturally inside the shared scale. Bb, Gm step outside the scale as colour chords.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. Cm, Bb, Abmaj7, Gm carry the song: iii–II–Imaj7–vii relative to Ab, v–IV–IIImaj7–ii relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Gm, letting the Ab side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Sehabe - Siyah Şanışer Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sehabe
Şanışer

Arrangement: Haşim Berk Acerçelik

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