Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Key Ab major – F minor Chords Db, Ab, Fm, Ebm, Eb, Bbm, Abm Easy key G (capo 1)
Db
I'd never met you, but I wanted
To invite you to the party
Ab
Then you walked in with those green eyes
Never stolen by nobody
Db
And they flicker to the future
For a moment, I could picture
Ab
Then you touch me and I come back
And we're talkin' on the staircase
Db
Bout your big dreams on the big screens
Ab
Out of Georgia, now you're lonely in this city
Lyin' with me
And you're scared it's movin' quickly
Db
Oh, now you're cryin', you're in pieces
Ab
'Cause the only love you've ever known is Jesus
I can feel it
Oh, I hate that I'm the reason that you're
Fm Ebm Ab Eb Db
In your head right now
Fm Ebm Ab Db
While your world is spinnin' out
Db
So slow it down, take a moment now
Ab
We're too young to drown
Deep in dirty waters
Db
Full of hopeless doubt, let me pull you out
Ab
Let me hold you now
Let me slow it down
Db
Ain't it funny how it changes
How the future rearranges
Ab
I get nervous, oh, I'm anxious
Maybe lovin' you is dangerous
Db
I could lose you like the others
Ab
Only girl that's never left me is my mother
Oh, I love her
And I know you'll probably hate it, but I'm
Fm Ebm Ab Eb Db
In my head right now
Db
So slow it down, take a moment now
Ab
We're too young to drown
Deep in dirty waters
Db
Full of hopeless doubt, let me pull you out
Ab
Let me hold you now
Let me (slow it down)
Db Bbm
Slow it down when you're on the ground
Ab Abm
And you're cryin', I'm tryin'
Db
(Slow it down) To slow it down
Bbm Ab Eb
When you're spinnin' round in your head
Fm Ebm Ab Eb Db
Ooh, ooh, ooh, ooh, ooh
Fm Ebm Ab Db
I'll help you slow it down
End of song Play again?
Harmony analysis
The song opens on Db and ends on Db. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Ab major side because Ab is heard 17 times against 5 for Fm. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 17× |
| i | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 1× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 2× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 17× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 4× |
| v | Ebm | Chromatic colour chordoutside the key | Eb · Gb · Bb | 5× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 5× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 5× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 17× |
| iii | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 1× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 2× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 17× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 4× |
| vii | Ebm | Chromatic colour chordoutside the key | Eb · Gb · Bb | 5× |
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 51 times in total; 5 of them sit naturally inside the shared scale. Ebm, Abm step outside the scale as colour chords.
The move to watch is Db → Ab, heard 10 times. From the Ab side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Fm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Db, the song gives away its key from the very first bar. The chords that keep coming back are Db, Ab, Fm, Ebm; read them as IV–I–vi–v in Ab or VI–III–i–vii in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Ab (IV → I in Ab, VI → III in Fm): plagal cadence — the soft 'amen' ending. The final chord is Db; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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