Sehabe - Anla (Emir Can İğrek) - Chord

Key Ab major – F minor Chords Fm, G#, C#, Eb Easy key G (capo 1)

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Capo 0

Fm   G#   C#   Eb

Fm
Yine kendime seni anlattım gecenini üçündeydi
G#
Seni baş ucumda ararken hep dilimin ucundaydın
C#
Bana odun musun dediler, dün oldum bu yüzden hep 
Eb
Senden yanayım kül oldum bu yüzden

Fm
Sen bi güzel kadındın unutmak inanındı
G#   
Sana hiç kızmamam bi adımdın artık 
C#
O kaldırımın subay selamında tuzak var 
Eb
Her zaman yanındayım ama uzaktan

Fm
Sen bi güldün papatyalar öldü artık
G#
Seviyor olmalıydın, dikenlendi gönlüm
C#
Sevmiyor diye koparılan bu yaprak küstah
Eb
Saf direk bakış açıma geometri düşman

   Fm
Ve inan aramızda bi fark vardı
    G#
Siz çocuktunuz, ben hep çocuk kaldım
    C#
Gel beraber büyümeyelim yaşın sarmadan
      Eb
Keşke birazcık düşünüp taşınsan bana

  Fm          G#
Bozuk trenler gibi 
  C#             Eb
Unutmuşum seferleri
  Fm             G#
Neden silmem her şeyi
   C#            Eb
Bu aşk benim en temiz kirim
 
 Fm               G#
Sen kapandığım devir
  C#               Eb
Artık yerin yurdun değil
  Fm              G#
Yağmur silse kederlenir
   C#              Eb         Fm  
Bu aşk benim en temiz kirim anla

Fm
Sorularına dayandım yine dün gibiydim aşk
G#
Üç harfliydi, dogmaydı, din gibiydi
C#
Kalabalık bakışınla sarhoş numarası yaptın ama
Eb
Ya bırak şimdi cin gibiydin

Fm
Ben gece gibi karanlıkken sen ay gibi karbeyazı
G#
O kadar güzelsin ki seni seven kalbe yazık
C#                Eb
Sonbaharım yeşil aklıma geliyor özlüyorum deyişin

Fm
İki seçenek var ya unut ya bul onu
G#
Bir ikindi sonrası sevmeye geç kaldım
C#
Kaskosuz bu yolum virajlarla dolu
Eb
Kalbimden bi kaza çıkcak umarım kabul olur

Fm
Senden sonra herkese inadım oldu
G#
Senden sonra umudumun içi yetmedi
C#
İlk görüşte nefrete inanır oldum
     Eb
Beni öyle bir unuttun ki iki etmedin

  Fm          G#
Bozuk trenler gibi 
  C#             Eb
Unutmuşum seferleri
  Fm             G#
Neden silmem her şeyi
   C#            Eb
Bu aşk benim en temiz kirim
 
 Fm               G#
Sen kapandığım devir
  C#               Eb
Artık yerin yurdun değil
  Fm              G#
Yağmur silse kederlenir
   C#              Eb         Fm  
Bu aşk benim en temiz kirim anla

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Sehabe - Anla (Emir Can İğrek) Tabs

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Harmony analysis

Sehabe – Anla (Emir Can İğrek): key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 19 times against 17 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	G#	Tonic — home	G# · B# · D#	17×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	C#	Subdominant — moves away from home	C# · E# · G#	17×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	17×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	19×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	19×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	G#	Relative major — the bright side	G# · B# · D#	17×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	C#	Submediant — warm colour	C# · E# · G#	17×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	17×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 70 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×17
C# Eb AbIV → VIV → V FmVI → VIIVI → VII ×17

The move to watch is Eb → Fm, heard 17 times. From the Fm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Ab side it reads V → vi (deceptive cadence: expected Ab, lands on Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over G#, land on G#, B#, D# — the chord's own tones always sound right on strong beats.
Over C#, land on C#, E#, G# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Fm lays a solid floor for everything that follows. Fm, G#, C#, Eb carry the song: vi–I–IV–V relative to Ab, i–III–VI–VII relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Fm (V → vi in Ab, VII → i in Fm): Aeolian arrival — rises a whole tone into home. The final chord is Fm; the ear comes to rest in Fm.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Sehabe - Anla (Emir Can İğrek) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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