Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Reynmen - Leila - Chord
Key Db major – Bb minor Chords Gb, Fm, Ab Easy key D
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Key: Db | A#m | Bbm
Capo: 0
Fm Gb Fm Gb
Fm Gb
Leila ah Leila ah
Fm Gb
Eyvah eyvah
Fm Gb
Leila ah Leila ah
Sana mecburum ama geri dönemem
Fm Gb
Eyvah Eyvah
Ona yine geceleri zehir edemem
Fm Gb
Leila ah Leila ah
Sana mecnunum ama seni bilemem
Fm Gb
Olmaz olmaz
Zorla yine sana beni sev diyemem
Fm Gb
Ne yapsam nafile, bomboş
Fm
Bir görsen halimi keşke
Gb
Yaşansa bir mucize çok zor
Fm
Anlatsam derdimi yok yok
Fm Gb
Düşüyorum dara beni geri verin bana
Fm
Arada bir geliyor üzerime ama
Gb
Sakladım acının en güzelini sana
Fm
Dünya bir yana sen bir yana
Gb
Sonu boş ama yine anı çok
Fm
Bana geri gelip hadi yamacıma koş
Gb
Yine sor yine gelip bana sor
Bulamazsın beni yalnızlara
Fm
Sor Leila
Gb
Beni bana sor Leila
Ab
Anılara sor Leila
Gb
Ama çok zor Leila
Kurtar beni Mevla
Fm Gb
Leila ah Leila ah
Sana mecburum ama geri dönemem
Fm Gb
Eyvah Eyvah
Ona yine geceleri zehir edemem
Fm Gb
Leila ah Leila ah
Sana mecnunum ama seni bilemem
Fm Gb
Olmaz olmaz
Zorla yine sana beni sev diyemem
Fm
Günahı boynuma kaç gel geri bana
Gb
Acıma ruhuma açtığın yaralara
Fm
Ağlamam asla yok
Gb
Ama bağışla beni bak zor
Fm
Sor Leila
Gb
Beni bana sor Leila
Ab
Anılara sor Leila
Gb
Ama çok zor Leila
Kurtar beni Mevla
Fm Gb
Leila ah Leila ah
Sana mecburum ama geri dönemem
Fm Gb
Eyvah Eyvah
Ona yine geceleri zehir edemem
Fm Gb
Leila ah Leila ah
Sana mecnunum ama seni bilemem
Fm Gb
Olmaz olmaz
Zorla yine sana beni sev diyemem
End of song Play again?
Reynmen - Leila Tabs
NotesX
Harmony analysis
Reynmen – Leila: key and chord analysis
The song opens on Fm and ends on Gb. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 27× |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 28× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 2× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 27× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 28× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 2× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 57 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×2
The move to watch is Gb → Ab, heard 2 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. Gb, Fm, Ab carry the song: IV–iii–V relative to Db, VI–v–VII relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. The final chord is Gb; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Reynmen - Leila Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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