Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Burak King - Sızı Kaldı - Chord
Key G major – E minor Chords Bm, C, D Easy key C (capo 7)
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Key: G | Em
Capo: 0
Bm
Bm
Çoğu gitti azı kaldı
Kaderden öteye yazı var mı
Hep kış geçti ömür yazı var mı
C D
Bunun yazı var mı bunun yazı var mı
Bm
Adaletin sazı var mı
Aşk bitti iş kumara kaldı
C D
Kumara kaldı kumara kaldı
Bm
Gönülden öte yol var mı
C D
Umudum olsa çabalardım çabalardım çabalardım
Bm
Yaram geçti izi kaldı
C D
İçimde acı bir sızı kaldı sızı kaldı sızı kaldı
Bm
Çoğu gitti azı kaldı
Kaderden öteye yazı var mı
Hep kış geçti ömür yazı var mı
C Bm
Bunun yazı var mı bunun yazı var mı
Bm
Vergi gibi bedel ödedim
Nedenlere neden aradım
Yolun yolcusuyum yine gelirim
C D
Evime dönemezsem sende kalırım
Bm
Dergilere kapak olamam ama
Sevgilere kucak açarım
Açardı sevdamız tehlike
C D
Canımı dişime vitesi beşe takarım
Bm
Yoksa araç giderim yaya
Ben çöle saz çaldım siz göle maya
Yoruldum bayağı da bayağı
C Bm
Ama sırt çevirir mi hiç yıldızlar aya
Bm
Bitches hepinize faya
Sert tabi çarptığım kaya
Gel kaderimiz düşmeden zara
C Bm
Bre kimseye ak diyip çıkmadık kara
Bm Bm Bm C D
Bm
Çoğu gitti azı kaldı
Kaderden öteye yazı var mı
Hep kış geçti ömür yazı var mı
C D
Bunun yazı var mı bunun yazı var mı
Bm
Adaletin sazı var mı
Aşk bitti iş kumara kaldı
C D
Kumara kaldı kumara kaldı
Bm
Gönülden öte yol var mı
C D
Umudum olsa çabalardım çabalardım çabalardım
Bm
Yaram geçti izi kaldı
C D
İçimde acı bir sızı kaldı sızı kaldı sızı kaldı
Bm
Çoğu gitti azı kaldı
Kaderden öteye yazı var mı
Bm
Ne yolum sana çıkıyo ne düze çıkıyo
Derdim birdi yüze çıkıyo
C
Ne saza geliyor ne söze geliyon
D
Yar dara düştüm düzelemiyom
Bm
Aranıyoruz bulamıyorlar kimseler ulaşamıyo
C
Ne yolum sana çıkıyo ne düze çıkıyo
D Bm
Derdim birdi yüze çıkıyo
C
Ne saza geliyor ne söze geliyon
D Bm
Yar dara düştüm düzelemiyom
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Burak King - Sızı Kaldı Tabs
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Harmony analysis
Burak King – Sızı Kaldı: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 25× |
| III | B | Chromatic colour chordoutside the key | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 17× |
| V | D | Dominant — strongest pull home | D · F# · A | 14× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | 25× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 17× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 14× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 56 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C D GIV → VIV → V EmVI → VIIVI → VII ×14
The move to watch is C → D, heard 14 times. From the G side it reads IV → V (IV → V: the lift that builds tension before home); from the Em side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Bm; the ear learns where home is within a second. Bm, C, D carry the song: iii–IV–V relative to G, v–VI–VII relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → D (IV → V in G, VI → VII in Em): IV → V — the lift that builds tension before home. The final chord is Bm; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Burak King - Sızı Kaldı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Burak KingMusic: Burak KingArrangement: Özkan Meydan
Alican Özbuğutu
Alican Özbuğutu
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