Burak King - Hesap (Tefo - Seko) - Chord

Key F major – D minor Chords Bb, Am, C Easy key G

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Am  Bb  Am  Bb  Am  Bb  C  Bb

Am        Bb
Denizlere sordum
Am             Bb
Hadi bırak oda duysun
Am          Bb
Neler geçti ömrümde
C
Her şey gönlünce olsun

Am          Bb           Am  Bb
Uçurum bana sevdalı sana ben
           Am          Bb            Am  Bb
Nasıl olur of kaderime kelepçe vurmuşken
      Am      Bb                Am  Bb
Ya da boş ver sorulur sana bu hesap

Hesap, hesap, hesap
          Am         Bb             Am   Bb
Gidiyorum of kalbimi seninle gömdüm ben

Am                   Bb
Düşündüm bi yanlışım olabilir ara sıra
Am                Bb
Yakarım bi sigara bu izlerin anısına
Am                  Bb
Sevdayı dâhil ettik bugün yine masalara
C
 Adını anmam
 
Am              Bb               Am
Gözümüzü kararttık bu gece abarttık
            Bb                Am
Gündüzler karanlık oluyorsa bize
              Bb               C
Sorulur bak hesap kalamaz mahşere
            Bb                Am  Bb
Her gidenin yolu açıktır yine de

Bi daha kanmam
Am               Bb
Yok taktik bizde yapıştırdık bam bam
Am            Bb
Güzele bak sen tütü maşallah
C                    Bb
Bi kere yandım artık bir daha yanmam

Am    Bb               Am
Nasıl geçti zaman yine de
      Bb               Am
Gülüp geçti bak onca sene
        Bb             Am
Yıkıldı hayaller üstümüze
    Bb
Sen gelme

(Aynı döngü devam eder)
Am  Bb  Am  Bb  Am  Bb  C  Bb

Bizde ya yokuş yukarı ya da düze gelir
Anca yumruk değil bizim buradan füze gelir
Güzelim s**tin hayatımı bende sezemedim
Sıkıntı yok otuzuma doğru düzelirim
Yanımda Seko, Tefo
Kan ve ter karıştı sefaletle
Onların gözü intikam ve ihanette
O ara baba kingo Belçika'da ticarette
Baksana neler döndü memlekette canım
Koca bir halkın acısı üzerimde
Buldum uzakta aradığımı gözlerinde
Gurbette diyemedim özledim de
Gelir mi gidenler bilemedim söz verince

End of song Play again?

Burak King - Hesap (Tefo - Seko) Tabs

NotesX

Harmony analysis

Burak King – Hesap (Tefo - Seko): key and chord analysis

The song opens on Am and ends on Bb. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	—
iii	Am	Mediant — a tonic-family shade	A · C · E	30×
III	A	Chromatic colour chordoutside the key	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	34×
V	C	Dominant — strongest pull home	C · E · G	6×
vi	Dm	Relative minor — the melancholy side	D · F · A	—
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	—
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv	Gm	Subdominant — moves away from home	G · Bb · D	—
v	Am	Minor dominant — soft pull	A · C · E	30×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	34×
VII	C	Subtonic — steps back to the tonic	C · E · G	6×

Analysis

The key pair is F major and its relative D minor (1 flat). 3 different chords appear 70 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb C FIV → VIV → V DmVI → VIIVI → VII ×6

The move to watch is Bb → C, heard 6 times. From the F side it reads IV → V (IV → V: the lift that builds tension before home); from the Dm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Am lays a solid floor for everything that follows. Bb, Am, C carry the song: IV–iii–V relative to F, VI–v–VII relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → C (IV → V in F, VI → VII in Dm): IV → V — the lift that builds tension before home. Ending on Bb, the song seals F as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.