Simge - As Bayrakları - Chord

Key Db major – Bb minor Chords Fm, Ebm, Gb, Db, Bbm Easy key C (capo 1)

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Capo 0

Fm  Ebm  Fm  Ebm  Fm  Ebm
Lallalalllallallalalalaa
Fm     Gb
Yerde, gökte

Fm
Nasıl bilecekler seni yaşamadan
Db      Gb       Ebm
Sensizliğin acısını
Fm
En sevdiğim düşler, öper birer birer
Db    Gb       Ebm
Gidiverir acımadan

Bbm     Ebm   Fm
Aaaaaah ahhhhahhh
Fm
Aramıyor sormuyor

Hikâyemden hiç düşmüyor
Bbm     Ebm   Fm
Aaaaaah ahhhhahhh
Fm
Bırakalım bunları

Gel keyfimize bakalım

Fm          Ebm
As as as as bayrakları
Fm            Ebm
Susturdum ben çaylakları
Fm           Ebm
İsmin yansın akşamları
Fm     Gb
Yerde, gökte

End of song Play again?

Simge - As Bayrakları Tabs

NotesX

Harmony analysis

Simge – As Bayrakları: key and chord analysis

The song opens on Fm and ends on Gb. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	2×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	10×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	14×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	4×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	—
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	2×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	2×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	2×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	10×
v	Fm	Minor dominant — soft pull	F · Ab · C	14×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	4×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	—

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 32 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×1
Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×1

The move to watch is Ebm → Bbm, heard once. From the Db side it reads ii → vi; from the Bbm side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Fm lays a solid floor for everything that follows. Fm, Ebm, Gb, Db carry the song: iii–ii–IV–I relative to Db, v–iv–VI–III relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebm → Bbm (ii → vi in Db, iv → i in Bbm): minor plagal — deep and melancholic. The final chord is Gb; the ear comes to rest in Db.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.