Eypio - Vur Vur - Chord

Key F major – D minor Chords Gm, Am, Bb Easy key C (capo 5)

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Capo 0

Am  Am  Bb  Gm  Gm  Bb

Am
Baktım gördüm bozdular dengeleri
Gm
Kızımda gördüm inan bütün pembeleri
Am
Ayakta dur sen s..erler bak derbederi
Gm             Bb          Gm
Yaktılar oğlum siyah beyaz belgeleri

Am                                   Gm
Bağlı elim kolum, koklar anasonu ciğerim

Bu tezgahın her tarafı sorun
Am
Ahmet Abi hüzün, gel be iki gözüm
Gm
Hep griydi şehirler de nerde elli tonu

Am
"Vur Vur" diyo bana bi tarafım

Bi tarafım da diyo "beni hadi durdur"
                                                 Gm
Bi tarafım cesur, bi tarafım da diyo bana "oğlum sus sus"
                                Bb
Vicdanım sel gibi de durmuyor namussuz
       Gm                  Am
Bize "yan" de oğlum yanalım

Am  Am  Am  Gm  Gm  Bb  Gm  Am

Am
Hiç acı vermedi gam

Bu kadar kar görmedi mi bu dam
         Gm
Mutluluk yarım, acı bize tam
      Bb                   Gm
Nazım Hikmet dedi bize "Ran"
        Am
Herkese tamam da bize mi haram

Kilo kilo millete bize mi gram
       Gm
Onlara New York bize mi İran
               Bb                 Gm
Benim yaptığım rap de başıma belam
Am
Yürü yürü boş ver takma devam

Yaz çiz babacım varsa kelam
      Gm
Az pislenmedi çamura bulan
       Bb                   Gm
Anladı o da git gavura sulan
        Am
Baban değil mi ki ananı bulan

Hayat dediğin sana pusuyu kuran
           Gm
İki dörtlükle de Apo kafanı kıran
               Bb                  Gm
Ve de rap dediğin sana tokadı vuran

Am
"Vur Vur" diyo bana bi tarafım

Bi tarafım da diyo "beni hadi durdur"
                                                 Gm
Bi tarafım cesur, bi tarafım da diyo bana "oğlum sus sus"
                                Bb
Vicdanım sel gibi de durmuyor namussuz
      Gm                   Am
Bize "yan" de oğlum yanalım

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Eypio - Vur Vur Tabs

NotesX

Harmony analysis

Eypio – Vur Vur: key and chord analysis

The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	22×
iii	Am	Mediant — a tonic-family shade	A · C · E	18×
III	A	Chromatic colour chordoutside the key	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	10×
V	C	Dominant — strongest pull home	C · E · G	—
vi	Dm	Relative minor — the melancholy side	D · F · A	—
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	—
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv	Gm	Subdominant — moves away from home	G · Bb · D	22×
v	Am	Minor dominant — soft pull	A · C · E	18×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	10×
VII	C	Subtonic — steps back to the tonic	C · E · G	—

Analysis

The key pair is F major and its relative D minor (1 flat). 3 different chords appear 50 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch
2 semitones up

The song's harmonic story

Starting on Am, the song gives away its key from the very first bar. Gm, Am, Bb carry the song: ii–iii–IV relative to F, iv–v–VI relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Am; the ear comes to rest in F.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.