Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Eypio - Korkum Bundan Tuğçe Kandemir - Chord
Key Gb major – Eb minor Chords Db, Ebm7, Bmaj7 Easy key G
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Key: Gb | D#m | Ebm
Capo: 0
Ebm7 Db
Korkum bundan sustum çoktan
Bmaj7 Db
Zaten ayrı kalmıştı yollar
Ebm7 Db
Kendini kurtar sen öyle durma
Bmaj7 Db
Sanırım çok sürmez belamı bulmam
Ebm7
Zararın köşesinde duvarlar
Db
Zamanın ötesinde kumarlar
Bmaj7
Bahsi çok kaybediyorken olandan
Db
Aklım almıyor bi’ çoğu olaylar
Ebm7
Dönüyor şansım bi zararla
Db
Zaman net yok farkında olan harp
Bmaj7 Db
Elinde kalan ne farkın neydi ki basit bi yalandan
Ebm7 Db
Korkum bundan sustum çoktan
Bmaj7 Db
Zaten ayrı kalmıştı yollar
Ebm7 Db
Kendini kurtar sen öyle durma
Bmaj7 Db
Sanırım çok sürmez belamı bulmam
Ebm7 Db
Korkum bundan hep yaptım kaleleri kumdan
Bmaj7
Ondan güzelim ona dokunmam
Db
Çok uzun sürsede seni bulmam
Ebm7
Haberin var mı ki bu durumdan
Db
Yardım gelir hangi kurumdan
Bmaj7
Girdiler benim iki kolumdan
Db
Konuşuyorum filmin sonundan
Bunu yazıyorum aynı konumdan
Ebm7 Db
Korkum bundan sustum çoktan
Bmaj7 Db
Zaten ayrı kalmıştı yollar
Ebm7 Db
Kendini kurtar sen öyle durma
Bmaj7 Db
Sanırım çok sürmez belamı bulmam
End of song Play again?
Eypio - Korkum Bundan Tuğçe Kandemir Tabs
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Harmony analysis
Eypio – Korkum Bundan Tuğçe Kandemir: key and chord analysis
The song opens on Ebm7 and ends on Db. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 10 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | — |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IVmaj7 | Bmaj7 | Subdominant — moves away from home | B · D# · F# · A# | 10× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 20× |
| vi7 | Ebm7 | Relative minor — the melancholy side | Eb · Gb · Bb · Db | 10× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Ebm7 | Tonic — home | Eb · Gb · Bb · Db | 10× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | — |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VImaj7 | Bmaj7 | Submediant — warm colour | B · D# · F# · A# | 10× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 20× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 40 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bmaj7 Db GbIVmaj7 → VIV → V EbmVImaj7 → VIIVI → VII ×10
- Db Ebm7 GbV → vi7deceptive cadence EbmVII → i7Aeolian arrival ×9
The move to watch is Bmaj7 → Db, heard 10 times. From the Ebm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the Gb side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Ebm7, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Ebm7; the ear learns where home is within a second. Db, Ebm7, Bmaj7 carry the song: V–vi7–IVmaj7 relative to Gb, VII–i7–VImaj7 relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bmaj7 → Db (IVmaj7 → V in Gb, VImaj7 → VII in Ebm): VI → VII — the rising step that heads for the tonic. The final chord is Db; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Eypio - Korkum Bundan Tuğçe Kandemir Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Eypio, Burak AlkınMusic: Burak AlkınArrangement: Burak Alkın, Tuğberk Işık
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