Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Eypio - Yeraltı - Chord
Key Eb major – C minor Chords Cm, Ab, G7 Easy key G
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Key: Eb | Cm
Capo: 0
Cm Cm Ab G7
Ne sandın belki utandım
Ab G7
Gözlerinde yaştım her damlaya sardım
Cm
Bi andım hüsn-ü zandım
Ab G7
Yalan da olsa her gülüşe kandım
Cm Ab
Tamam belki onlar bilmez ben utandım
G7
Belki ben de yalandım
Cm
Ve zaman girdi aramıza birden
Ab G7
Demek ki ya tutuklusun ya da gözaltı
Cm
Dayandım kapılara, yalnızım uzaklara
Ab G7
Deryaya dalmışım ben sığmam hiç odalara
Cm
Vapurlar adalara vurdum hep karavana
Ab G7
Eğer ki sen de yoksan çıkmam hiç karalara
Cm Cm Ab G7
x2
Cm
Seni benden inan bana kimse kızım alamaz
Ab
Kimse ilmeğini boşa boyna dolamaz
G7
Kimse mermilere adres falan soramaz
Cm
Yeraltındayım kimse beni aramaz
Sana olan aşkım çocuk gibi yaramaz
Ab
Eser rüzgar ama saçlarını taramaz
G7
Su-i zandın, gelirsin sandım
Cm
Dayandım kapılara, yalnızım uzaklara
Ab G7
Deryaya dalmışım ben sığmam hiç odalara
Cm
Vapurlar adalara vurdum hep karavana
Ab G7
Eğer ki sen de yoksan çıkmam hiç karalara
Cm Ab
Tamam belki onlar bilmez ben utandım
G7
Belki ben de yalandım
Cm
Ve zaman girdi aramıza birden
Ab G7
Demek ki ya tutuklusun ya da yeraltı
End of song Play again?
Eypio - Yeraltı Tabs
NotesX
Harmony analysis
Eypio – Yeraltı: key and chord analysis
The song opens on Cm and ends on G7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 15 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V7/vi | G7 | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D · F | 14× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 14× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 15× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 15× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V7 | G7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D · F | 14× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 14× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 43 times in total; 2 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G7 is V7/vi, a secondary dominant heading for Cm.
Chord movement
- G7 Cm EbV7/vi → visecondary resolution CmV7 → iharmonic-minor cadence ×12
The move to watch is G7 → Cm, heard 12 times. From the Cm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Eb side it reads V7/vi → vi (secondary resolution: G7 resolves a fourth up to Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over G7, land on G, B, D — the chord's own tones always sound right on strong beats.
- When G7 comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The backbone is Cm, Ab, G7 — vi–IV–V7/vi from the Eb side, i–VI–V7 from the Cm side. G7 is the interesting twist: in Eb it is a chromatic chord (V7/vi), while in Cm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on G7 → Cm (V7/vi → vi in Eb, V7 → i in Cm): harmonic-minor cadence — the major V resolves dramatically. The final chord is G7; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Eypio - Yeraltı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: EypioMusic: EypioArrangement: Eypio, Kutay Sokur
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