Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
ZAZ - Je veux - Chord
Key F major – D minor Chords Bb, C, Dm, Gm, A, Am Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm Dm Dm Bb C
Dm C
Donnez moi une suite au Ritz, je n'en veux pas
Bb
Des bijoux de chez chanel, je n'en veux pas
Gm A
Donnez moi une limousine, j'en ferais quoi? papalapapapala
Dm C
Offrez moi du personnel, j'en ferais quoi?
Bb
Un manoir a Neufchatel, ce n'est pas pour moi
Gm A
Offrez moi la Tour Eiffel, j'en ferais quoi? papalapapapala
Bb Bb C C
Dm Bb C
Je Veux d'l'amour, d'la joie, de la bonne humeur
Am Bb
ce n'est pas votre argent qui f'ra mon bonheur
Gm A
moi j'veux crever la main sur le coeur
Dm Bb C
Allons ensemble, découvrir ma liberté
Am Bb
oubliez donc tous vos clichés
Gm A
bienvenue dans ma réalité
Dm C
J'en ai marre d'vos bonnes manières, c'est trop pour moi
Bb
Moi je mange avec les mains et j'suis comme ça
Gm A
J'parle fort et je suis franche, excusez moi
Dm C
Finie l'hypocrisie moi j'me casse de là
Bb
J'en ai marre des langues de bois Regardez moi
Gm A
toute manière j'vous en veux pas et j'suis comme ça
Bb C
J´suis comme ça (papalapapapala)
Dm Bb C
Je Veux d'l'amour, d'la joie, de la bonne humeur
Am Bb
ce n'est pas votre argent qui f'ra mon bonheur
Gm A
moi j'veux crever la main sur le coeur
Dm Bb C
Allons ensemble, découvrir ma liberté
Am Bb
oubliez donc tous vos clichés
Gm A
bienvenue dans ma réalité
End of song Play again?
ZAZ - Je veux Tabs
NotesX
Harmony analysis
ZAZ – Je veux: key and chord analysis
The song opens on Dm and ends on A. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm, Dm is heard 11 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 8× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 4× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 8× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 16× |
| V | C | Dominant — strongest pull home | C · E · G | 12× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 11× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 11× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 8× |
| v | Am | Minor dominant — soft pull | A · C · E | 4× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 8× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 16× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 12× |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 59 times in total; 5 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.
Chord movement
- Gm A Fii → V/vi Dmiv → Viv → V ×8
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×7
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×5
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×3
The move to watch is Gm → A, heard 8 times. From the Dm side it is iv → V (iv → V: the minor side's tension builder); from the F side it reads ii → V/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Dm; the ear learns where home is within a second. The backbone is Bb, C, Dm, Gm — IV–V–vi–ii from the F side, VI–VII–i–iv from the Dm side. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gm → A (ii → V/vi in F, iv → V in Dm): iv → V — the minor side's tension builder. The final chord is A; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
ZAZ - Je veux Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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