Naz Ölçal - Fısıltı - Chord

Key Db major – Bb minor Chords Ab, Db, Ebm, Gb, B, Gbm, A Easy key D

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Capo 0

     Db
Hiç istemem beni yanlış tanı
    Ebm                          B
Hiç istemem beni yanlış anlasan da
       Ab           Db
Bana fark etmez aslında

Hiç istemem yüreğim buz dağı
    Ebm                         B
Hiç istemem buralar soğuk olsa da
         Ab         Db
Bana fark etmez aslında

Db                    Ebm
Küçüldüm, küçüldükçe boğuldum
           Gb        bm     Gb
Boğuldukça kayboldum, kayboldum

Db                        Ab
Şimdi birisi gelip beni bulur mu
                Ebm
Bu kalbe fısıldar mı aşkı
        Gb         Ab
Yoksa kimse beni görmez mi
Db                        Ab
Şimdi birisi gelip beni bulur mu
                Ebm
Bu kalbe fısıldar mı aşkı
        Gb          Ab
Yoksa kimse beni görmez mi
     Gb           Ab
Aklına bile getirmez mi
Gbm     A    B    Db
Yoksa ben gider miyim

       Db
Hiç anlamam neden uzaktalar
    Ebm                         B
Hiç anlamam niye hiç gelmezler ama
         Ab        Db
Onlar hep böyle aslında

Hiç anlamam neden hep kapris var
    Ebm                         B
Hiç anlamam niye hiç sevgi yok ama
          Ab        Db
Onlar hep böyle aslında

Db                   Ebm
Büyüdüm, büyüdükçe yoruldum
           Gb         Gbm    Gb
Yoruldukça kayboldum, kayboldum

Db                        Ab
Şimdi birisi gelip beni bulur mu
                Ebm
Bu kalbe fısıldar mı aşkı
        Gb          Ab
Yoksa kimse beni görmez mi
Db                        Ab
Şimdi birisi gelip beni bulur mu
                Ebm
Bu kalbe fısıldar mı aşkı
        Gb          Ab
Yoksa kimse beni görmez mi

     Gb           Ab
Aklına bile getirmez mi
    Gb           Ab
Yoksa ben gider miyim
Gbm    A     B    Db
Yoksa ben gider miyim

End of song Play again?

Naz Ölçal - Fısıltı Tabs

NotesX

Harmony analysis

Naz Ölçal – Fısıltı: key and chord analysis

The song opens on Db and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Db major side because it both starts and finishes on Db and Db is heard 14 times while Bbm never appears. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	14×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	10×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	—
III	F	Chromatic colour chordoutside the key	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	9×
iv	Gbm	Minor iv — borrowed from the parallel minorborrowed chord	Gb · A · Db	3×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	15×
bVI	A	Borrowed from the parallel minorborrowed chord	A · C# · E	2×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	—
bVII	B	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	B · D# · F#	6×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	—
bII	B	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	B · D# · F#	6×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	14×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	10×
v	Fm	Minor dominant — soft pull	F · Ab · C	—
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	9×
vi	Gbm	Chromatic colour chordoutside the key	Gb · A · Db	3×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	15×
#VII	A	Chromatic colour chordoutside the key	A · C# · E	2×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 7 different chords appear 59 times in total; 4 of them sit naturally inside the shared scale. B, Gbm, A are borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×7
Ab Db DbV → Iauthentic cadence BbmVII → III ×6
B Db DbbVII → IbVII → I BbmbII → III ×2
Gb Db DbIV → Iplagal cadence BbmVI → III ×1

The move to watch is Gb → Ab, heard 7 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
On B, follow the chord's notes (B · D# · F#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone up
4 semitones down · capo 4 keeps the original pitch

The song's harmonic story

The first chord is Db; the ear learns where home is within a second. Ab, Db, Ebm, Gb carry the song: V–I–ii–IV relative to Db, VII–III–iv–VI relative to Bbm. B briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. It closes on Db, letting the Db side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Naz Ölçal - Fısıltı Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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