Nev - Mühürlü Kaderim - Chord

Key Eb major – C minor Chords G, Ab, Fm, Eb, Cm Easy key C (capo 3)

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Capo 0

Ab  G  Ab  G  Fm  Eb  Ab  G

Ab            G       Ab            G
Böyle mi geçer bu rüya çok mu sevdin kederleri
Fm           Eb         Ab           G
Hangi günahın bedelisin sen mühürlü kaderim
       Fm        Eb      Ab                G
Hep mi cefa gördüğün reva yok mu sende hiç vefa
Ab               G
Yok mu sende hiç vefa

Fm              G
Mühürlü kaderim ben gibi erir misin
Fm              G                 
Mühürlü kaderim bir yol verir misin
Fm              G          Cm       Ab              G
Gün olur bu rüyadan ben de geçerim o gün sen de bitersin
Fm             G         Cm        Ab                G  
Eyvallah der o şarabı ben de içerim o gün sen de bitersin
Ab             G  
O gün sen de bitersin

Ab               G       Ab            G
Olmuyor ne yapsam olmuyor çok mu gördün hevesleri
Fm                Eb                Ab          G
Hasret senden yana sevda senden yana değişmedin kaderim
Fm                Eb          Ab                G
Hep mi hüsran bana hep mi veda yok mu sende hiç deva
Ab               G
Yok mu sende hiç deva

Fm              G
Mühürlü kaderim ben gibi erir misin
Fm              G                 
Mühürlü kaderim bir yol verir misin
Fm              G          Cm       Ab              G
Gün olur bu rüyadan ben de geçerim o gün sen de bitersin
Fm             G         Cm        Ab                G  
Eyvallah der o şarabı ben de içerim o gün sen de bitersin
Ab             G  
O gün sen de bitersin

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Nev - Mühürlü Kaderim Tabs

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Harmony analysis

Nev – Mühürlü Kaderim: key and chord analysis

The song opens on Ab and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor because Eb is heard 5 times against 4 for Cm and the major V chord points straight at Cm. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	5×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	13×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	27×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	19×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	4×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	4×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	5×
iv	Fm	Subdominant — moves away from home	F · Ab · C	13×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	27×
VI	Ab	Submediant — warm colour	Ab · C · Eb	19×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 68 times in total; 4 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.

Chord movement

Fm G Ebii → V/vi Cmiv → Viv → V ×8
G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×4

The move to watch is Fm → G, heard 8 times. From the Eb side it reads ii → V/vi; from the Cm side it is iv → V (iv → V: the minor side's tension builder). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Ab, the song gives away its key from the very first bar. The chords that keep coming back are G, Ab, Fm, Eb; read them as V/vi–IV–ii–I in Eb or V–VI–iv–III in Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Fm → G (ii → V/vi in Eb, iv → V in Cm): iv → V — the minor side's tension builder. The final chord is G; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.