Teoman - Fahişe - Chord

Key F major – D minor Chords Dm, Bb, F, C, Gm, A Easy key G

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Capo 0

Dm             Bb                 C          Dm
Bir fahişe sabaha karşı, çok seksiymişim, öyle diyor
              Bb        C         Dm
Gülüyoruz yalanına, karşılıklı anlayışlı
              Bb             C           Dm
Dalgakıranlardaki banklarda, çıkardı ayakkabılarını
                  Bb          C         Dm
Bak, dedi, köprü ışıkları siliyorlar yıldızları
                      Bb           C       Dm
Kazıyınca yıldızlarını, altlarındaki demir paslı
                Bb          C           Dm
Ateşe vermeli onları ama her yerde yangın çıkışları

Dm
Sordum, niye sattın yoksulluğunu, dedi, elimdeki sadece oydu
               Bb
Niye sattın vücudunu, daha mı kötü, dedi, satmaktan ruhu

Dm               
Herkes dedi merak içinde ölümden sonra hayat var mı diye
Boşuna düşünürler, sanki hayat varmış gibi ölümden önce
Sevdim seni ama bir şekilde hüzün var diye belki gözlerinde
Eğer sever gibi sarılırsan da bu vücut sana bedava

F        Dm           F       Dm
Aslında derdim, çok gençsin daha
F         Dm             Bb     Dm
Yirmiyim dedi ama ruhum bin yaşında
F         Dm            F       Dm       F        Dm        Bb 
Kayalar kesti ayaklarımı, yine de, bir şey hissetmek güzel hala bu dalgakıranda
                                    
Dm           Bb           Gm          A
Tek başıma, bu vücutla fırlatıldım bu dünyaya
Dm               Bb           Gm            A
Aşk daha basit, pişmanlık da, hayat hoyrat bu zamanda
Dm           Bb          Gm              A
Şahin kuşa, kuzgun leşe, ben değil, bu dünya fahişe

Dm    
Korkum, çığlık atan adam gibi, tablodaki şakağımda ellerim
Hep kaçarken tek kişilik dünyayı ben artık nasıl severim
Anladım, senin kalbin birinde, geceyle gündüz, o hep seninle
Sarıldı, ağladı saatlerce o yine işe gitmeden önce
 
F        Dm           F       Dm
Aslında derdim, çok gençsin daha
F         Dm             Bb     Dm
Yirmiyim dedi ama ruhum bin yaşında
F         Dm            F       Dm       F        Dm        Bb 
Kayalar kesti ayaklarımı, yine de, bir şey hissetmek güzel hala bu dalgakıranda

End of song Play again?

Teoman - Fahişe Tabs

NotesX

Harmony analysis

Teoman – Fahişe: key and chord analysis

The song opens on Dm and ends on Bb. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)
#7 = C# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because it opens on Dm, Dm is heard 27 times against 12 for F and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	12×
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	3×
iii	Am	Mediant — a tonic-family shade	A · C · E	—
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	3×
IV	Bb	Subdominant — moves away from home	Bb · D · F	14×
V	C	Dominant — strongest pull home	C · E · G	6×
vi	Dm	Relative minor — the melancholy side	D · F · A	27×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	27×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	12×
iv	Gm	Subdominant — moves away from home	G · Bb · D	3×
v	Am	Minor dominant — soft pull	A · C · E	—
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	3×
VI	Bb	Submediant — warm colour	Bb · D · F	14×
VII	C	Subtonic — steps back to the tonic	C · E · G	6×

Analysis

The key pair is F major and its relative D minor (1 flat). 6 different chords appear 65 times in total; 5 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.

Chord movement

C Dm FV → videceptive cadence DmVII → iAeolian arrival ×6
Bb C FIV → VIV → V DmVI → VIIVI → VII ×6
Bb Dm FIV → vi DmVI → iVI → i ×4
A Dm FV/vi → vi DmV → iharmonic-minor cadence ×3
Gm A Fii → V/vi Dmiv → Viv → V ×3

The move to watch is C → Dm, heard 6 times. From the Dm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the F side it reads V → vi (deceptive cadence: expected F, lands on Dm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

Starting on Dm, the song gives away its key from the very first bar. Dm, Bb, F, C carry the song: vi–IV–I–V relative to F, i–VI–III–VII relative to Dm. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on C → Dm (V → vi in F, VII → i in Dm): Aeolian arrival — rises a whole tone into home. Ending on Bb, the song seals F as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.