Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Sabrina Carpenter - Juno - Chord
Key F major – D minor Chords Dm7, Bb, C, F, Am Easy key G
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Key: F | Dm
Capo: 0
F
Don't have to tell your hot ass a thing
Dm7
Oh, yeah, you just get it
F
Whole package, babe, I like the way you fit
Dm7
God bless your dad's genetics, mm, uh
Bb C Am Dm7
You make me wanna make you fall in love
Bb C Am
Oh, late at night, I'm thinking 'bout you
Dm7
Ah, ah, ah
Bb C Am Dm7
Wanna try out my fuzzy pink handcuffs
Bb
Oh, I hear you knockin', baby
Come on up
F Dm7
I know you want my touch for life
Bb
If you love me right, then who knows
C
I might let you make me Juno
F
You know I just might
Dm7
Let you lock me down tonight
Bb
One of me is cute, but two, though
Give it to me, baby
Bb C Am Dm7
You make me wanna make you fall in love
F
I showed my friends, then we high fived
Dm7
Sorry if you feel objеctified
F
Can't help myself, hormonеs are high
Dm7
Give me more than just some butterflies
Bb C Am Dm7
You make me wanna make you fall in love
Bb C Am
Oh, late at night, I'm thinking 'bout you
Dm7 Bb
Ah, ah, ah
C Am Dm7
Wanna try out some freaky positions?
Have you ever tried this one
F Dm7
I know you want my touch for life
Bb
If you love me right, then who knows
C
I might let you make me Juno
F
You know I just might
Dm7
Let you lock me down tonight
Bb
One of me is cute, but two, though
Give it to me, baby
Bb C Am Dm7
You make me wanna make you fall in love
F Dm7
Adore me, hold me, and explore me
Bb
Mark your territory
C
Tell me I'm the only, only, only, only one
F Dm7
Adore me, hold me , and explore me
Bb
I'm so fuckin' horny
C
Tell me I'm the only, only, only, only one
F Dm7
I know you want my touch for life
Bb
If you love me right, then who knows
C
I might let you make me Juno
F
You know I just might
Dm7
Let you lock me down tonight
Bb
One of me is cute, but two, though
Give it to me, baby
Bb C Am Dm7
You make me wanna make you fall in love
End of song Play again?
Sabrina Carpenter - Juno Tabs
NotesX
Harmony analysis
Sabrina Carpenter – Juno: key and chord analysis
The song opens on F and ends on Dm7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it comes to rest on Dm, it opens on F and Dm is heard 21 times against 12 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 12× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 9× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 18× |
| V | C | Dominant — strongest pull home | C · E · G | 14× |
| vi7 | Dm7 | Relative minor — the melancholy side | D · F · A · C | 21× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Dm7 | Tonic — home | D · F · A · C | 21× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | 12× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 9× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 18× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 14× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 74 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×14
- Am Dm7 Fiii → vi7 Dmv → i7natural-minor cadence ×9
- C F FV → Iauthentic cadence DmVII → III ×5
- Bb F FIV → Iplagal cadence DmVI → III ×1
The move to watch is Bb → C, heard 14 times. From the Dm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the F side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening F lays a solid floor for everything that follows. The backbone is Dm7, Bb, C, F — vi7–IV–V–I from the F side, i7–VI–VII–III from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → C (IV → V in F, VI → VII in Dm): VI → VII — the rising step that heads for the tonic. It closes on Dm7, letting the Dm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sabrina Carpenter - Juno Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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