Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Yüzyüzeyken Konuşuruz - İp Salla - Chord
Key F major – D minor Chords Bbmaj7, Am, Dm, Fmaj7, C Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Bbmaj7 Fmaj7 Bbmaj7 Fmaj7 Bbmaj7 Fmaj7 Bbmaj7 C
Bbmaj7
Çok uğraştım didindim
Am
Her şeyi en çok ben bilirdim
Bbmaj7 Am
Hiç bi şeyden kaçmadım, biraz zaman
Bbmaj7 Am
Hayalde, uykusunda, bazen sigara molasında
Bbmaj7 Am
En fazla 10 dakika kendimleyim
Bbmaj7 Am Bbmaj7 Dm
Fazlası zaraaaaaaaaaaaaaar
Bbmaj7 Am Bbmaj7 Dm
Tadını çıkaaaaaaaaaaaaaaar
Bbmaj7 Am Bbmaj7 Dm
Beni burdaaaaaaaaaaaaaaaan
Bbmaj7 Am Bbmaj7 Dm
Dışarı çıkaaaaaaaaaaaaaaar
Bbmaj7
İçimde onca insan
Am
Hangisi dost? Hangisi Düşman?
Bbmaj7
Hangi yanda dursam?
Am
Kendime artık bir yer bulsam
x2
Bbmaj7 Am Bbmaj7 Dm
x4
Bbmaj7 Am
Hayallerim geçmişte kaldı
Bbmaj7 Am
Yol nerde, ben nerde, ev nerde?
Bbmaj7 Am
Bilmeden, heyecanım dinmeden koştum
Bbmaj7
Yorulmayı bilmem derken
Am
Birden bire duruldum
Bbmaj7
İp salla ya da bir şey yap
Am
Bir ilaç yaz doktor
Bbmaj7 Am
Ayaklar yere basınca inan her şey çok zor
Bbmaj7 Am
Ne kalbim ne inancım her şey boka sardı
Bbmaj7 Am
Tedaviyi reddettim, ya ne gerek vardı
Bbmaj7 Am Bbmaj7 Dm
Fazlası zaraaaaaaaaaaaaaar
Bbmaj7 Am Bbmaj7 Dm
Tadını çıkaaaaaaaaaaaaaaar
Bbmaj7 Am Bbmaj7 Dm
Beni burdaaaaaaaaaaaaaaaan
Bbmaj7 Am Bbmaj7 Dm
Dışarı çıkaaaaaaaaaaaaaaar
End of song Play again?
Yüzyüzeyken Konuşuruz - İp Salla Tabs
NotesX
Harmony analysis
Yüzyüzeyken Konuşuruz – İp Salla: key and chord analysis
The song opens on Bbmaj7 and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it comes to rest on Dm and Dm is heard 9 times against 3 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Fmaj7 | Tonic — home | F · A · C · E | 3× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 23× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 36× |
| V | C | Dominant — strongest pull home | C · E · G | 1× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 9× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 9× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| IIImaj7 | Fmaj7 | Relative major — the bright side | F · A · C · E | 3× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 23× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 36× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 1× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 72 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbmaj7 Dm FIVmaj7 → vi DmVImaj7 → iVI → i ×9
- Bbmaj7 Fmaj7 FIVmaj7 → Imaj7plagal cadence DmVImaj7 → IIImaj7 ×3
- Bbmaj7 C FIVmaj7 → VIV → V DmVImaj7 → VIIVI → VII ×1
The move to watch is Bbmaj7 → Dm, heard 9 times. From the Dm side it is VImaj7 → i (VI → i: falls a half step into home); from the F side it reads IVmaj7 → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Bbmaj7; the ear learns where home is within a second. Bbmaj7, Am, Dm, Fmaj7 carry the song: IVmaj7–iii–vi–Imaj7 relative to F, VImaj7–v–i–IIImaj7 relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbmaj7 → Dm (IVmaj7 → vi in F, VImaj7 → i in Dm): VI → i — falls a half step into home. Ending on Dm, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yüzyüzeyken Konuşuruz - İp Salla Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kaan BoşnakMusic: Kaan Boşnak
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