Blok3 - Aklına Ben Gelicem - Chord

Key Db major – Bb minor Chords Gbmaj7, Ab, Bbm Easy key G (capo 6)

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Capo 0

Gbmaj7  Ab  Bbm  Bbm
x2

Gbmaj7           Ab
 Aslında hesapta yoktu
                      Bbm
Ama seni görüp büyülendim

Her gece kafamda kurdum
                          Gbmaj7
Sana bağlanacağımı bilemezdim
                 Ab
Sonra da sevgili olduk
                         Bbm
Hiçbirisi aramıza giremezdi

Seni o hâlde gördüm
              Ab
Sonra bi' sigara yaktım

Gbmaj7
Seni sevdiğimi cümle âlem gördü
Ab                                 Bbm
Çok iyi oyuncusun, yoksa ben mi kördüm?

Sevdiğim kız hâlâ yaşıyo', evet
                            Gbmaj7
Ama benim sevdiğim o hâli öldü
                              Ab
Birini bulunca aklına ben gelice'm
                             Bbm
Elini tutunca aklına ben gelice'm

O şarkı çalınca aklına ben gelice'm
                       Gbmaj7
Unutma, aklına ben gelice'm
               Ab
Aklına ben gelice'm
               Bbm
Aklına ben gelice'm

Bi' gün başkasını bulursan
                    Gbmaj7
O gün kendimi öldürüce'm

Gbmaj7
Sakın bana deme, "Bur'da beni bekle"
Ab
Gittin yanımdan, hem de büyük bi' zevkle
Bbm
Başkası girecek hayatına
                                         Gbmaj7
Gidip ona da sor hadi, "En sevdiğin renk ne?"

Gbmaj7       Ab
Her şey rüya, girdin dünyama bir an
Bbm
Sadece sensin, yok bana başka liman

Gbmaj7
Saçma sapan konulara geriliyo'sun
Ab
Önceden gülüp geçerdik, şimdi deliriyo'sun
Bbm
Güzelim, gerçekten zoruma gidiyo'
                           Gbmaj7
Gözlerimin önünde değişiyo'sun

Gbmaj7
Birini bulunca aklına ben gelice'm
Ab
Elini tutunca aklına ben gelice'm
Bbm
O şarkı çalınca aklına ben gelice'm
                      Gbmaj7
Unutma aklına ben gelice'm
               Ab
Aklına ben gelice'm
               Bbm
Aklına ben gelice'm

Bi' gün başkasını bulursan
                    Gbmaj7
O gün kendimi öldürüce'm

Gbmaj7
Aklına ben gelice'm
Ab
Aklına ben gelice'm
Bbm
Aklına ben gelice'm
               Gbmaj7
Aklına ben gelice'm

Gbmaj7  Ab
Ben gelice'm
               Bbm
Aklına ben gelice'm
           
Başkasını bulursan
                    Gbmaj7
O gün kendimi öldürüce'm

End of song Play again?

Blok3 - Aklına Ben Gelicem Tabs

NotesX

Harmony analysis

Blok3 – Aklına Ben Gelicem: key and chord analysis

The song opens on Gbmaj7 and ends on Gbmaj7. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because Bbm is heard 14 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	—
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	—
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	—
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IVmaj7	Gbmaj7	Subdominant — moves away from home	Gb · Bb · Db · F	19×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	14×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	14×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	14×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	—
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	—
v	Fm	Minor dominant — soft pull	F · Ab · C	—
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VImaj7	Gbmaj7	Submediant — warm colour	Gb · Bb · Db · F	19×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	14×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 47 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×13
Gbmaj7 Ab DbIVmaj7 → VIV → V BbmVImaj7 → VIIVI → VII ×13

The move to watch is Ab → Bbm, heard 13 times. From the Bbm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Db side it reads V → vi (deceptive cadence: expected Db, lands on Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Gbmaj7, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Gbmaj7 lays a solid floor for everything that follows. The chords that keep coming back are Gbmaj7, Ab, Bbm; read them as IVmaj7–V–vi in Db or VImaj7–VII–i in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bbm (V → vi in Db, VII → i in Bbm): Aeolian arrival — rises a whole tone into home. Ending on Gbmaj7, the song seals Db as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.