Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Şahiden - Varsa Şereflerine - Chord
Key Db major – Bb minor Chords Fm7, Gb, Ebm7 Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Fm7 Ebm7 Fm7 Ebm7
Fm7
Sen giderken bendim kalan
Gb
Bendim ölen bendim ziyan
Fm7
Ne zaman yeminler etsen
Gb
Bir gecede yetim kalan
Fm7
Başı bozuk bir kurşundun
Gb
Beni hep sırtımdan vuran
Fm7 Gb
Sabahın kör ayazında
Ebm7 Fm7
Sol yanım hep ağır roman
x2
Fm7
Varsa şereflerine ya da gelmişe geçmişine
Sana dağlar küsmüş
Gb
Ruhun duymaz, içim virane
Şu saatten sonrası yok
Sevmeye kalmadı bahane
Fm7 Gb
Ahım çıksın sen bana uzak
Ebm7 Fm7
Allaha havale
x2
Fm7 Fm7 Fm7 Gb Gb Gb Fm7 Gb Ebm7 Fm7
End of song Play again?
Şahiden - Varsa Şereflerine Tabs
NotesX
Harmony analysis
Şahiden – Varsa Şereflerine: key and chord analysis
The song opens on Fm7 and ends on Fm7. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii7 | Ebm7 | Supertonic — prepares the dominant | Eb · Gb · Bb · Db | 5× |
| iii7 | Fm7 | Mediant — a tonic-family shade | F · Ab · C · Eb | 15× |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 10× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv7 | Ebm7 | Subdominant — moves away from home | Eb · Gb · Bb · Db | 5× |
| v7 | Fm7 | Minor dominant — soft pull | F · Ab · C · Eb | 15× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 10× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 30 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ebm7, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is Fm7; the ear learns where home is within a second. The backbone is Fm7, Gb, Ebm7 — iii7–IV–ii7 from the Db side, v7–VI–iv7 from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Fm7; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Şahiden - Varsa Şereflerine Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
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Lyrics: Eylül ÖztürkMusic: Eylül Öztürk
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