Uzi - Makina - Chord

Key Ab major – F minor Chords Eb, Fm, Db Easy key G (capo 1)

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Capo 0

Fm  Fm  Eb  Db  Eb
x2

Fm
Yok bizde ayar, alayına gider
                    Eb
Parasını verelim de konuşmayın, yeter
Db
Artık 5 kilo da bi' gecede biter (Ey, ey)
                  Eb
Yaktık tüm olanı, dayanmadı ciğer (Ey, ey)
x2

Fm
Düştüysen kalk, gel kendine (Ya, ya)
           Eb
Daha iyisi yok, var farkına
Db 
Düş kırıkların olduysa bile
        Eb
Sen makinasın, makina!
Fm
Düşmen gerekiyo'dur belki de (Ya, ya)
           Eb
Daha yükseklerden en dibe (Ya, ya)
Db
Tüm dünya üzerine gelse de
        Eb
Sen makinasın, makina!

Fm
"Seçim yap Çavo, ün mü, ben mi?" dersen (Ey, ey)
              Eb
Ünü seçerdim, aklım olsa şahsen (Ey, ey)
Db
Nasıl hissedersin toprak altı girsem? (Ya, ya)
                 Eb
Öyle bi' seçenek yok da hepsi ister bunu (Ey, ey ha)
Fm                                           Eb
Her gün dilerler ve boşlar (Ha), kemik yağar duan kabul olsa (Prr)
Db
Bozuk yapıp götüne sok eğer para bolsa (Woo)
                        Eb
Ulaşıl'cak tek bi' tane hayal bile yoksa (Prra)
Fm                                                     Eb
Dışlanırdık önceden (Ya), umutlarımızı yıktı bölgeler, korkmuyo'duk ölümden
Db
Belimdeki benim değil, onu koydu abiler
                       Eb
Sen tetiği çek, kalanı kurşunların halleder
Fm                                                     Eb
Partiler ve oteller, Şahin'den in; şimdi ise Mercedes, artık daha yakın zemin
Db
İnan bana yapıyorum çeyreğini düşüncemin
Eb
Bu şehir benim, peşindeyim

Fm
Düştüysen kalk, gel kendine (Ya, ya)
           Eb
Daha iyisi yok, var farkına
Db 
Düş kırıkların olduysa bile
        Eb
Sen makinasın, makina!
Fm
Düşmen gerekiyo'dur belki de (Ya, ya)
           Eb
Daha yükseklerden en dibe (Ya, ya)
Db
Tüm dünya üzerine gelse de
        Eb
Sen makinasın, makina!

Fm
Beni ayıran şey karakterim, ya
Eb
Hâlâ aynı kişiyim, hâlâ var iddiam
Db
Bana n'apıcağımı söyleyemez manitam
                  Eb
Eskidi biraz, ama hâlâ dolu makinam
Fm
Bulutların üstündeyim, tek başıma paradise
                     Eb
İstediğini alacaksın iki kurşun ya da diss
Db
Vücudum zayıf ama kollarımda tüm olay
Eb
Mevzularda şiştim aynı "Get Back" Ludacris
Fm
Kriz masasına diz, ez, yes
               Eb
Otomatik vites Benz test (Yallah!)
Db
Sahte varoşları gez, bütün tikileri ez
                 Eb
Gerek duymuyorum rek-lama
Fm
Bizi bitirdi bu shit paranoya
                      Eb
Dostların başa bakar, düşmanın ayağa
Db
Yok Gucci, Chanel; sadece hayal
                         Eb
Ben düşerim yıldız gibi, dostlarım sayar

End of song Play again?

Uzi - Makina Tabs

NotesX

Harmony analysis

Uzi – Makina: key and chord analysis

The song opens on Fm and ends on Eb. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 15 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	14×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	28×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	15×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	15×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	14×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	28×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 57 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×14
Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×13

The move to watch is Db → Eb, heard 14 times. From the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Eb, Fm, Db; read them as V–vi–IV in Ab or VII–i–VI in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): VI → VII — the rising step that heads for the tonic. The final chord is Eb; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Uzi - Makina Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Uzi

Music: Uzi

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