Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Uzi - Paparazi - Chord
Key C major – A minor Chords Am, F, G Easy key G (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am F G
x4
Am F G
Yalan olucaz hızla gidersek her kapıyı çalana gir içeri dersek
Am F G
Yoldan çıkıcaz böyle seversek ciğerleri kedilere mundar edersek
Am F G
Bulucaz bizde çıkış yolu önümüzü görcek şekilde içersek
Am F G
Artık vakit az bi karar mı versek? Uyuyamam düşmanımdan tek bi sayı yersek
Am F G
Haram para ve lanet annem sen bize dua et
Am F G
Pişmanım çok geçmişten kaderim Tanrı’ya emanet
Am F G
Kurtulamıyorum hiç rapten başımı kaldıramıyorum içmekten
Am F
Düştüm mahalleme yüksekten, yüksekten
Am F
Sonuna kadar gidicem yolun sonuna kadar
G Am
Manitalar paparazi gibi yakalar
F G
Baba für die familie sadece aile
x2
Am F G
Kur-tul-dum dertten sadece içip hayal kurardım
Am F G
Kur-tul-dum senden göreceğim güne günler sayardım
Am F G
Kur-tul-dum derken daha daha dibe daha dibe battım
Am F G
Kur-tul-dum baba
Am F G
İki güç de bi arada şöhret yakışıyo bize bi de para
Am
Ölme ara ver cano biralara
F G
Keko mu dızzo mu chavo bir numara
Am
20 yıl geçti bu gençliğim fukara
F G
Maalesef bulaşmayan kalmadı bu kana
Am
Ellerim titredi çıkamadım komadan
F G
İçimdeki ses dedi vazgeç
Am F G
Eskiden olsa selam vermezdin ayrıl peşimden artık maymun gözü açtı
Am
Dişimden tırnağımdan bu müziğe verdim
F G
Emeğimin getirisi ölene dek harçlık
Am F G
Kaçtık mı sandın? Koştum kazandım ben çok kez inandım ve çoktum azaldım
Am F G
Boşlukta kaldım yardım et tanrım bu resmen bi salgın ve farkına vardım
Am F
Sonuna kadar gidicem yolun sonuna kadar
G Am
Manitalar paparazi gibi yakalar
F G
Baba für die familie sadece aile
x2
End of song Play again?
Uzi - Paparazi Tabs
NotesX
Harmony analysis
Uzi – Paparazi: key and chord analysis
The song opens on Am and ends on G. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 25 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 25× |
| V | G | Dominant — strongest pull home | G · B · D | 24× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 25× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 25× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 25× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 24× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 74 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F G CIV → VIV → V AmVI → VIIVI → VII ×24
- G Am CV → videceptive cadence AmVII → iAeolian arrival ×23
- F Am CIV → vi AmVI → iVI → i ×1
The move to watch is F → G, heard 24 times. From the Am side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the C side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. Am, F, G carry the song: vi–IV–V relative to C, i–VI–VII relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → G (IV → V in C, VI → VII in Am): VI → VII — the rising step that heads for the tonic. Ending on G, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Uzi - Paparazi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: UziMusic: Uzi
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.