Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Bilal Sonses - Bir Gece Vardın Shawty - Chord
Key F major – D minor Chords Bbmaj7, Am7, Gm7, Dm7, Fmaj7 Easy key C (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Bbmaj7 Bbmaj7 Am7 Am7
Dm7
Bir gece vardın
Am7
Bir gece yok ahhhh
Söyle kim tutacak yerimi dolduracak
Bbmaj7
Bu kadar mahvolacak benim gibii
Gm7
Bir gece vardın, bir gece yok
Am7
Söyle kim tutacak yerimi dolduracak
Bbmaj7
Bu kadar mahvolacak benim gibiii
Bbmaj7 Am7
Adına yazdığım şarkıları, yüzüne baktığımda okuyorum
Bbmaj7
Seni görünce bir kez daha ya kendimi daha mahvediyorum
Gm7 Am7
Alnıma yazılanın adı aşk, hiç bilmiyorum nereye kaçacağım
Kalbime söylüyorum biraz yavaş
Bbmaj7
Zamanla alışır yavaş yavaş
Bbmaj7
Bedenimde hiç bitmeyen ağrılarım
Am7
Nasıl saracağımı bile bilmiyorum yaraları yardım et
Fmaj7
Ya da tedavi et
Dm7
Bir gece vardın
Am7
Bir gece yok ahhhh
Söyle kim tutacak yerimi dolduracak
Bbmaj7
Bu kadar mahvolacak benim gibii
Gm7
Bir gece vardın, bir gece yok
Am7
Söyle kim tutacak yerimi dolduracak
Bbmaj7
Bu kadar mahvolacak benim gibiii
Am7
Benim gibi, benim gibi
End of song Play again?
Bilal Sonses - Bir Gece Vardın Shawty Tabs
NotesX
Harmony analysis
Bilal Sonses – Bir Gece Vardın Shawty: key and chord analysis
The song opens on Bbmaj7 and ends on Am7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 2 times against 1 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Fmaj7 | Tonic — home | F · A · C · E | 1× |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 3× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 10× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 10× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi7 | Dm7 | Relative minor — the melancholy side | D · F · A · C | 2× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Dm7 | Tonic — home | D · F · A · C | 2× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| IIImaj7 | Fmaj7 | Relative major — the bright side | F · A · C · E | 1× |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 3× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 10× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 10× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 26 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am7 Dm7 Fiii7 → vi7 Dmv7 → i7natural-minor cadence ×1
The move to watch is Am7 → Dm7, heard once. From the Dm side it is v7 → i7 (natural-minor cadence: gentle, modal arrival); from the F side it reads iii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Bbmaj7; the ear learns where home is within a second. The chords that keep coming back are Bbmaj7, Am7, Gm7, Dm7; read them as IVmaj7–iii7–ii7–vi7 in F or VImaj7–v7–iv7–i7 in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am7 → Dm7 (iii7 → vi7 in F, v7 → i7 in Dm): natural-minor cadence — gentle, modal arrival. Ending on Am7, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bilal Sonses - Bir Gece Vardın Shawty Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: ShawtyMusic: ShawtyArrangement: Can VS
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.