Bilal Sonses - Çek Git - Chord

Key C major – A minor Chords F, Em, Dm, G Easy key D

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Capo 0

   Em
Yalnız bir kez andım seni

Farketmedim sardın beni
  F                        Dm
Masummuşum yargın delil bu kez

Em
Laf anlamaz, söz dinlemez

Bulmak biraz zor bir neden
F                       Dm
Gel de dünyamı yine hiç et

          F
Bile bile artık sonu yok
         Dm         F
Kadehim apansız doluyor
          G
Yine yine çık gel soluyor
          Em
Bu kalbim ya da sen de

Em          F
Çek git nereye gidersen
Em          F
Ne yazar bilmem silersen
G         F
İki olsun ah seversem
Dm       F
Namerdim affedersem

Em            F
Senden vazgeçiyorum
Em              F
Gelsen aşk esir olur,
Em               F
Gözümden düştü gönülse hükümsüz
Dm
Gel sen vazgeçir onu

Dm
Gitmek geldi içimden
F
Lütfen gelme peşimden
Dm           F
Kandırdım kendimi sandım ki
G              F   Em
Yaptım yanlışı dooğru

Em          F
Çek git nereye gidersen
Em          F
Ne yazar bilmem silersen
G         F
İki olsun ah seversem
Dm       F
Namerdim affedersem

End of song Play again?

Bilal Sonses - Çek Git Tabs

NotesX

Harmony analysis

Bilal Sonses – Çek Git: key and chord analysis

The song opens on Em and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	8×
iii	Em	Mediant — a tonic-family shade	E · G · B	11×
III	E	Chromatic colour chordoutside the key	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	18×
V	G	Dominant — strongest pull home	G · B · D	4×
vi	Am	Relative minor — the melancholy side	A · C · E	—
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	—
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	8×
v	Em	Minor dominant — soft pull	E · G · B	11×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	18×
VII	G	Subtonic — steps back to the tonic	G · B · D	4×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 41 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

F G CIV → VIV → V AmVI → VIIVI → VII ×4

The move to watch is F → G, heard 4 times. From the C side it reads IV → V (IV → V: the lift that builds tension before home); from the Am side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

2 semitones up
5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The backbone is F, Em, Dm, G — IV–iii–ii–V from the C side, VI–v–iv–VII from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → G (IV → V in C, VI → VII in Am): IV → V — the lift that builds tension before home. It closes on F, letting the C side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.