Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Bilal Sonses - Gizli de Olsa - Chord
Key D major – B minor Chords F#, Bm, G Easy key C (capo 2)
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Key: D | Bm
Capo: 0
Bm F#
Bir ton sıkıntı var be, bana bıraktığın
G F#
Hayli kanıma dokundu inan ki, bana bu yaptığın
Bm F#
Canımı yaktığın yok, zerre değişmedim kadın
G F#
Hala sen ol istiyorum, canımı kattığım
Bm F#
Üzülmedim, gözümde inan aynısın
G F#
Lakin düşünmüyor da değilim yar mısın, yara mısın
Bm F#
Dün gece körkütüktüm hatırlamıyorum aramışım
G F#
Ağzıma ne geldiyse üst üste saymışım
Bm F#
Öyle söylediler beni divane sananlar
G F#
Haberleri yok tabi ki, içimdeki yaramdan
Bm F#
Bu aralar su sızmıyor, hayalinle aramdan
G F#
Kurtulmak istiyorsun, biliyorum bu adamdan
Bm F#
Öyle işte bunlar ellerimde kalanlar
G F#
Gülümsüyorum etrafa arada sırada yalandan
Bm F#
Hiçte pişman değilim ama, tek bir şey var üzüldüğüm
G F#
Doğrusunu bildiğim o söylediğin yalanlar
Bm F# G F#
Gizlide olsa gir içeri, sevgimi ekerim sen biçerim
Bm F# G F#
Zehir de olsa, ver içerim, beni merak etme, yok bir şeyim
Bm F# G
Yok mu yolu yordamı, ben cennet bildim kollarını bak
F# Bm F# G F#
Düzelir her şey bana bırak, yazılan her şey sanadır ah
End of song Play again?
Bilal Sonses - Gizli de Olsa Tabs
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Harmony analysis
Bilal Sonses – Gizli de Olsa: key and chord analysis
The song opens on Bm and ends on F#. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
- #7 = A# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it opens on Bm, Bm is heard 12 times while D never appears and the major V chord points straight at Bm. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | 24× |
| IV | G | Subdominant — moves away from home | G · B · D | 12× |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 12× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 12× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | 24× |
| VI | G | Submediant — warm colour | G · B · D | 12× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
Analysis
The key pair is D major and its relative B minor (2 sharps). 3 different chords appear 48 times in total; 2 of them sit naturally inside the shared scale. The major V of Bm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from D, the same F# is V/vi, a secondary dominant heading for Bm.
Chord movement
- F# Bm DV/vi → vi BmV → iharmonic-minor cadence ×11
The move to watch is F# → Bm, heard 11 times. From the Bm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the D side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over F#, land on F#, A#, C# — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When F# comes, swap the scale's A for A#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 3 semitones up
The song's harmonic story
The first chord is Bm; the ear learns where home is within a second. F#, Bm, G carry the song: V/vi–vi–IV relative to D, V–i–VI relative to Bm. F# is the interesting twist: in D it is a chromatic chord (V/vi), while in Bm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F# → Bm (V/vi → vi in D, V → i in Bm): harmonic-minor cadence — the major V resolves dramatically. The final chord is F#; the ear comes to rest in D.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bilal Sonses - Gizli de Olsa Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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