Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Selena Gomez - Baila Conmigo (Rauw Alejandro) - Chord
Key F major – D minor Chords C, Dm, Bb, F, C#dim Easy key G
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Dm Bb F C C#dim
Dm Bb
Bebé, no sé si hablas mucho español
F
Si entiende' cuando digo "Mi amor"
C
Comernos sin entenderno' e' mejor
Solo tenemo' que gustarno'
Dm Bb
Quieres que caiga en tentaciones
F
Mira cómo me pone
C
Ese acento que tienes
No entiendo mucho, pero vente
Dm
Baila, baila, baila conmigo
Bb
Baila, baila y yo te sigo
F
Pégate, ven, suéltate
C
No te me vayas sin las gana' de volver
Dm
Por eso, baila, baila, baila conmigo
Bb
Baila, baila, que yo tе sigo
F
Bésame solo una vez
C
Así tengo un motivo pa' volvеrte a ver
Dm Bb
Sinceramente, dejemo' que esto fluya, no sigas dándole mente
F
Tenemo' to'a la noche pa' que me enseñe' de frente
Todo lo que siente'
C
Me huele a que no tiene' nada de inocente
Dm
¿Cómo te digo que no quiero hablar de amor?
Bb
Que si es contigo, tengo que pensar mejor
F
Tranqui, déjalo así, quiero quedarme aquí
C
Pégate, ven a mí, pégate, ven a mí
Dm
Baila, baila, baila conmigo
Bb
Baila, baila y yo te sigo
F
Pégate, ven, suéltate
C
No te me vayas sin las gana' de volver
Dm
Por eso, baila, baila, baila conmigo
Bb
Baila, baila, que yo tе sigo
F
Bésame solo una vez
C
Así tengo un motivo pa' volvеrte a ver
Dm
Te voy a dejar mi número
Bb
Solo tiene' que llamar cuando me eches de meno'
F
Que yo le voy a llegar
C
Baby, aunque me quede lejo', woh-oh
Dm
La nena e' de otra ciudad, pero le corre mi flow
Bb
Tenía curiosidad y un beso me robó
F
No nos tenemo' que hablar
C
Si con mirarno' no' entendemo', yeah
Dm
No entiendo mucho, pero baila, baila, baila conmigo
Bb
Baila, baila y yo te sigo
F
Pégate, ven, suéltate
C
No te me vayas sin las gana' de volver
Dm
Por eso, baila, baila, baila conmigo
Bb
Baila, baila y yo te sigo
F
Bésame solo una vez
C
Así tengo un motivo pa' volverte a ver, eh
Dm C Bb
Ra-Rauw, ey
F
Rauw Alejandro
C
Con Selena, Dímelo, Tainy
End of song Play again?
Selena Gomez - Baila Conmigo (Rauw Alejandro) Tabs
NotesX
Harmony analysis
Selena Gomez – Baila Conmigo (Rauw Alejandro): key and chord analysis
The song opens on Dm and ends on C. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 14× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 14× |
| V | C | Dominant — strongest pull home | C · E · G | 15× |
| vii°/vi | C#dim | Secondary leading-tone chord vii°/vi — leads to Dmsecondary dominant | C# · E · G | 1× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 14× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 14× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | 14× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 14× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 15× |
| #vii° | C#dim | Leading-tone chord (harmonic minor)harmonic minor | C# · E · G | 1× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 58 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bb F FIV → Iplagal cadence DmVI → III ×14
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×12
The move to watch is Bb → F, heard 14 times. From the Dm side it is VI → III; from the F side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 4 semitones up
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The backbone is C, Dm, Bb, F — V–vi–IV–I from the F side, VII–i–VI–III from the Dm side. C#dim adds a moment of surprise: secondary leading-tone chord vii°/vi — leads to Dm. Keep an ear on Bb → F (IV → I in F, VI → III in Dm): plagal cadence — the soft 'amen' ending. The final chord is C; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Selena Gomez - Baila Conmigo (Rauw Alejandro) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.