Adamlar - Geçmişten Kaçılmaz - Chord

Key D major – B minor Chords D, Bm, F#m, G, A, Em, Am, F# … Easy key G (capo 7)

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Capo 0

F#m  D  F#m  G  D
F#m  D  G  F#  G  D

F#m           D   A    F#m        A     G
Bilmezler bilmesinler, zorla güzellik yakışmaz
F#m       D    A    F#m          A    G
Aklıma gelmesinler ama geçmişten de kaçılmaz
 
Bm  D  Bm  A  G
Bm  D  E   F#
 
F#m          D      A      F#m          A     G
Çöllerden geçtim durdum da kumlar yandı koynumda
F#m          D     A     F#m         A    G
Sırlar sırtımda pençe, geçerdi sen dokununca
 
Bm  D  Bm  A  G
Bm  D  E   F#
 
Em        D       Am       Em          Bm    Am        Em
Bir hayat var onu da böyle mi harcıcaz söyle canım güzelim
        Bm   Am          F                   Em
Duvarların soğuk sessizliği ve yaklaşan sonbahar
     Bm       Am      Em
Aşk ağızlarda sakız sözler
       Bm       Am       Em
Yalanı görür de nasıl gizler?
       Bm     Am    F                       Em
Ver elini içimdekileri sök ve beni burdan çıkar

F#m  D  F#m  G  D
F#m  D  G  F#  G  D
 
F#m          D    A    F#m         A    G
Girmezler girmesinler, gönlüm iplerden alınmaz
F#m       D     A      F#m       A    G
Altı üstünden güzel de üstüne dünya kurulmaz
 
Bm  D  Bm  A  G
Bm  D  E   F#
 
Em        D       Am       Em          Bm    Am        Em
Bir hayat var onu da böyle mi harcıcaz söyle canım güzelim
        Bm   Am          F                   Em
Duvarların soğuk sessizliği ve yaklaşan sonbahar
     Bm       Am      Em
Aşk ağızlarda sakız sözler
       Bm       Am       Em
Yalanı görür de nasıl gizler?
       Bm     Am    F                       Em
Ver elini içimdekileri sök ve beni burdan çıkar

End of song Play again?

Adamlar - Geçmişten Kaçılmaz Tabs

NotesX

Harmony analysis

Adamlar – Geçmişten Kaçılmaz: key and chord analysis

The song opens on F#m and ends on Em. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)
#7 = A# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor because D is heard 22 times against 19 for Bm and the major V chord points straight at Bm. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	22×
ii	Em	Supertonic — prepares the dominant	E · G · B	14×
V/V	E	Secondary dominant V/V — leads to Asecondary dominant	E · G# · B	3×
bIII	F	Borrowed from the parallel minorborrowed chord	F · A · C	4×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	18×
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	5×
IV	G	Subdominant — moves away from home	G · B · D	15×
V	A	Dominant — strongest pull home	A · C# · E	15×
v	Am	Chromatic colour chordoutside the key	A · C · E	12×
vi	Bm	Relative minor — the melancholy side	B · D · F#	19×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	—

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	19×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	—
III	D	Relative major — the bright side	D · F# · A	22×
iv	Em	Subdominant — moves away from home	E · G · B	14×
IV	E	Major IV — Dorian / melodic-minor colourmodal colour	E · G# · B	3×
#IV	F	Chromatic colour chordoutside the key	F · A · C	4×
v	F#m	Minor dominant — soft pull	F# · A · C#	18×
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	5×
VI	G	Submediant — warm colour	G · B · D	15×
VII	A	Subtonic — steps back to the tonic	A · C# · E	15×
vii	Am	Chromatic colour chordoutside the key	A · C · E	12×

Analysis

The key pair is D major and its relative B minor (2 sharps). 10 different chords appear 127 times in total; 6 of them sit naturally inside the shared scale. The major V of Bm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from D, the same F# is V/vi, a secondary dominant heading for Bm. E acts as a secondary dominant, briefly pointing at another chord of the key. F is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Em Bm Dii → vi Bmiv → iminor plagal ×10
G Bm DIV → vi BmVI → iVI → i ×6
G D DIV → Iplagal cadence BmVI → III ×4

The move to watch is Em → Bm, heard 10 times. From the D side it reads ii → vi; from the Bm side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
When F# comes, swap the scale's A for A#: that single note is the harmonic-minor sound of the chord.
On F, follow the chord's notes (F · A · C) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

The first chord is F#m; the ear learns where home is within a second. The backbone is D, Bm, F#m, G — I–vi–iii–IV from the D side, III–i–v–VI from the Bm side. F# is the interesting twist: in D it is a chromatic chord (V/vi), while in Bm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Em → Bm (ii → vi in D, iv → i in Bm): minor plagal — deep and melancholic. Ending on Em, the song seals D as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.