Adamlar - Duende - Chord

Key G major – E minor Chords G, Bm, Em, D, F# Easy key C (capo 7)

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Capo 0

Bm  G  G  Bm

Bm            G            Bm          G       Bm  G  Em  F#
Serbest gezer gönlüm, size hesap mesap veremem
Bm        G            Bm        G         Bm  G  Em  F#
Sevdiğimi bilir seven, mesafeler hikayeden

Bm   G      Em        G
Aman kimisi masalları severdi
Bm   G      Em          G
Aman kimisi kandırılmak isterdi

Bm          G         Em          G
Kıskandılar küstüler, birbirlerin kestiler
Bm        G           Em          G
Kusurlar, küsüratlar, hesap kitap derdine

Bm
Hesap kitap, derdi ne? Hesap kitap, derdi ne?

Bm      G      D          Bm
Aşk havada ama körler göremez
               G            D         Bm
Var yaralar, elbette, neden olsun bahane
                 G       D         Bm
İyice düşün, düşüşün, olabilir çıkışın
                 G      D        Bm
Unutulur hep gecenin gündüze dönüşü

Bm            G        Bm          G         Bm  G  Em  F#
Ne zelzele ne fırtına, bir nefeste dönüşelim
Bm        G           Bm       G           Bm  G  Em  F#
Rüyalarda ne hayatlar yaşanıyo serin serin
Bm        G         Bm         G           Bm  G  Em  F#
Birbirine doya doya bulunur mu aşkın dibi?
Bm           G            Bm         G          Bm  G  Em  F#
Kalp attıkça sazım sözüm, peşindedir güzelliğin

Bm   G          Em        G
Aman bizzat ben masalları severdim
Bm   G        Em          G
Aman yine ben kandırılmak isterdim

Bm          G         Em          G
Kıskandılar küstüler, birbirlerin kestiler
Bm        G           Em          G
Kusurlar, küsüratlar, hesap kitap derdine

Bm
Hesap kitap, derdi ne? Hesap kitap, derdi ne?

Bm      G      D          Bm
Aşk havada ama körler göremez
               G            D         Bm
Var yaralar, elbette, neden olsun bahane
                 G       D         Bm
İyice düşün, düşüşün, olabilir çıkışın
                 G      D        Bm
Unutulur hep gecenin gündüze dönüşü

End of song Play again?

Adamlar - Duende Tabs

NotesX

Harmony analysis

Adamlar – Duende: key and chord analysis

The song opens on Bm and ends on Bm. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G major side because G is heard 44 times against 14 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	44×
ii	Am	Supertonic — prepares the dominant	A · C · E	—
iii	Bm	Mediant — a tonic-family shade	B · D · F#	40×
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	—
V	D	Dominant — strongest pull home	D · F# · A	8×
vi	Em	Relative minor — the melancholy side	E · G · B	14×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—
V/iii	F#	Secondary dominant V/iii — leads to Bmsecondary dominant	F# · A# · C#	6×

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	14×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
V/v	F#	Secondary dominant V/v — leads to Bmsecondary dominant	F# · A# · C#	6×
III	G	Relative major — the bright side	G · B · D	44×
iv	Am	Subdominant — moves away from home	A · C · E	—
v	Bm	Minor dominant — soft pull	B · D · F#	40×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	—
VII	D	Subtonic — steps back to the tonic	D · F# · A	8×

Analysis

The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 112 times in total; 4 of them sit naturally inside the shared scale. F# acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

The first chord is Bm; the ear learns where home is within a second. G, Bm, Em, D carry the song: I–iii–vi–V relative to G, III–v–i–VII relative to Em. F# adds a moment of surprise: secondary dominant V/iii — leads to Bm. Ending on Bm, the song seals G as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.