Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Amo988 - Yüreğim Ağlar - Chord
Key C major – A minor Chords Fmaj7, Em7 Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Fmaj7 Yüregim ağlar, gözlerden doymadı Em7 Sensizlik yaman yüreğim ağladı Fmaj7 Em7 Yandyrma meni, yandırma meni Fmaj7 Yıldızlar kayar, sensin ilk dileğim Em7 Gözyaşım akar, sende hep düşlerim Fmaj7 Em7 Yandırma meni, yandırma meni Fmaj7 Anlat anlat anlat anlat Gel de gönlüme bunu anlat Em7 Gözlerine aşık oldum Yanıyom’ ben yanıyorum Fmaj7 Ruhum ruhuna bağlı ruhum Bu Leyla’ya ben mecnunum Em7 Bu aşkın sonu acı da olsa Kaderine razı bir kulum Fmaj7 Ne gece ne gündüz Çık ta düşlerim kalsın bana Em7 Kalbime özgürlük yok kaldı hep mahkum sana Fmaj7 Em7 Sensizliktense razıyım ben böyle bin yaraya Fmaj7 Em7 (Tüm şarkı boyunca aynı akor döngsü devam eder) Yara la meni, yarala sen yüreğimi Olur da belki, bir gün seversin beni Yarala meni, yarala sen yüreğimi Olur da belki seversin sen benim gibi Ya nas ya nas aklımdan alsınlar Ya nas ya nas gönlümden kaldırsınlar İnsafsız bir sevdaya Kendimi kaptırdım Söyleyin bana ölür mü insan aşkından Anlat anlat anlat anlat Gel de gönlüme bunu anlat Gözlerine aşık oldum Yanıyom’ ben yanıyorum Ruhum ruhuna bağlı ruhum Bu Leyla’ya ben mecnunum Bu aşkın sonu acı da olsa Kaderine razı bir kulum
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Amo988 - Yüreğim Ağlar Tabs
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Harmony analysis
Amo988 – Yüreğim Ağlar: key and chord analysis
The song opens on Fmaj7 and ends on Em7. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii7 | Em7 | Mediant — a tonic-family shade | E · G · B · D | 9× |
| III | E | Chromatic colour chordoutside the key | E · G# · B | — |
| IVmaj7 | Fmaj7 | Subdominant — moves away from home | F · A · C · E | 9× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v7 | Em7 | Minor dominant — soft pull | E · G · B · D | 9× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VImaj7 | Fmaj7 | Submediant — warm colour | F · A · C · E | 9× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 2 different chords appear 18 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Fmaj7 lays a solid floor for everything that follows. The chords that keep coming back are Fmaj7, Em7; read them as IVmaj7–iii7 in C or VImaj7–v7 in Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Em7, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Amo988 - Yüreğim Ağlar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Amo988
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