Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Key C major – A minor Chords C, Dm, F, Am, G Easy key G (capo 5)
Am C Dm F
Am C Dm F
This was never the way I planned, not my intention
Am C Dm F
I got so brave, drink in hand, lost my discretion
Am C Dm F Am
It’s not what I’m used to, just wanna try you on
C Dm F
I’m curi-ous for you, caught my attention
Am C Dm F
I kissed a girl and I liked it, the taste of her cherry chapstick
Am C Dm F
I kissed a girl just to try it, I hope my girlfriend don’t mind it
Am C Dm F
It felt so wrong, it felt so right, don’t mean I’m in love tonight
Am C Dm F
I kissed a girl and I liked it
Am C Dm F
No, I don’t even know your name, it doesn’t matter
Am C Dm F
You’re my experimental game, just human nature
Am C Dm F Am
It’s not what good girls do, not how they should behave
C Dm F
My head gets so confused, hard to obey
Am C Dm F
I kissed a girl and I liked it, the taste of her cherry chapstick
Am C Dm F
I kissed a girl just to try it, I hope my girlfriend don’t mind it
Am C Dm F
It felt so wrong, it felt so right, don’t mean I’m in love tonight
Am C Dm F
I kissed a girl and I liked it
Dm F C G
You girls you are so magical, soft skin, red lips, so kissable
Dm F C G
Hard to resist, so touchable, too good to deny it
Dm F C G
It ain’t no big deal, it’s innocent
Am C Dm F
I kissed a girl and I liked it, the taste of her cherry chapstick
Am C Dm F
I kissed a girl just to try it, I hope my girlfriend don’t mind it
Am C Dm F
It felt so wrong, it felt so right, don’t mean I’m in love tonight
Am C Dm F
I kissed a girl and I liked it
End of song Play again?
Harmony analysis
The song opens on Am and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor because it opens on Am and C is heard 24 times against 21 for Am. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 24× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 24× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 24× |
| V | G | Dominant — strongest pull home | G · B · D | 3× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 21× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 21× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 24× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 24× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 24× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 3× |
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 96 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is F → Am, heard 19 times. From the C side it reads IV → vi; from the Am side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Am; the ear learns where home is within a second. C, Dm, F, Am carry the song: I–ii–IV–vi relative to C, III–iv–VI–i relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Am (IV → vi in C, VI → i in Am): VI → i — falls a half step into home. Ending on F, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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