Amo988 - Demli Çay - Chord

Key C major – A minor Chords Am, Dm, E7 Difficulty already in its easiest key

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Capo 0

Dm  Am  E7  Am

         Dm
Senli benli bir bahar
         Am
Geceleri bizi yakar
         E7
Baş başa kalmayalım
        Am
Vallahi yanarız biz

Dm
Aman aman
           Am
Demli çay, deniz kenarı
         E7
Kahkaha, boş konular
          Am
Sevdik birbirimizi

Dm                         Am
Güllerin de dikeni vardır ama
             E7
Değeri değişemez hiç
           Am
Acısı da güzeldir elbet

Dm                   Am
Sende buldum kendimi vallahi
               E7
Yaşadım gerçek aşkı
           Am
Hayatta birdir bu denge

Dm
Seni de beni de bulana vah
Am
Bu trene binenin yolu fena
E7
Yolumuz gizeme, baş başa
Am
Sonsuza denk

Dm
Bir kere, bir kere, bir kere daha
Am
Bitemez, pes edemem bir daha
E7
Çileye, siteme elveda
Am
İkimiz tek

         Dm
Senli benli bir bahar
         Am
Geceleri bizi yakar
         E7
Baş başa kalmayalım
        Am
Vallahi yanarız biz

Dm
Aman aman
           Am
Demli çay, deniz kenarı
         E7
Kahkaha, boş konular
          Am
Sevdik birbirimizi

Dm              Am
Sürgünlük benim hayatımdı hele
E7                Am
Seninle yıktık biz dağları
Dm                   Am
Yorgundum, verdim kendimi ele
E7              Am
Çektin sen beni yukarıya

         Dm
Senli benli bir bahar
         Am
Geceleri bizi yakar
         E7
Baş başa kalmayalım
        Am
Vallahi yanarız biz

Dm
Aman aman
           Am
Demli çay, deniz kenarı
         E7
Kahkaha, boş konular
          Am
Sevdik birbirimizi

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Amo988 - Demli Çay Tabs

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Harmony analysis

Amo988 – Demli Çay: key and chord analysis

The song opens on Dm and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)
#7 = G# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it comes to rest on Am, Am is heard 26 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	13×
iii	Em	Mediant — a tonic-family shade	E · G · B	—
V7/vi	E7	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B · D	13×
IV	F	Subdominant — moves away from home	F · A · C	—
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	26×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	26×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	13×
v	Em	Minor dominant — soft pull	E · G · B	—
V7	E7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B · D	13×
VI	F	Submediant — warm colour	F · A · C	—
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 52 times in total; 2 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E7 is V7/vi, a secondary dominant heading for Am.

Chord movement

E7 Am CV7/vi → visecondary resolution AmV7 → iharmonic-minor cadence ×13
Dm Am Cii → vi Amiv → iminor plagal ×13

The move to watch is E7 → Am, heard 13 times. From the Am side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V7/vi → vi (secondary resolution: E7 resolves a fourth up to Am). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over E7, land on E, G#, B — the chord's own tones always sound right on strong beats.
When E7 comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is Dm; the ear learns where home is within a second. Am, Dm, E7 carry the song: vi–ii–V7/vi relative to C, i–iv–V7 relative to Am. E7 is the interesting twist: in C it is a chromatic chord (V7/vi), while in Am it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on E7 → Am (V7/vi → vi in C, V7 → i in Am): harmonic-minor cadence — the major V resolves dramatically. Ending on Am, the song seals Am as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.